Skating into my halfway point for the 56th Chicago International Film Festival, I’m starting to realize the little things I miss about doing this in person. Su...
Calling a Kate Winslet performance career-best is no easy statement, but her turn as 19th-century English paleontologist Mary Anning in Ammonite is certainly i...
With another day at the (virtual) 56th Chicago International Film Festival comes another batch to sift through. It was a lighter batch too, not just in numbers...
After going Into the Inferno with Clive Oppenheimer, the duo will look to the skies for their next cinematic exploration. Fireball: Visitors From Darker Worlds...
We're seven years past the apocalypse. Eight years since the world banded together to send every nuclear missile on Earth into the sky to stop an asteroid hell...
For his adaptation of Jack London’s “Martin Eden," Pietro Marcello changed the setting of from the novel’s pre-WWI America to pre-World War II Italy. He told u...
The Criterion Collection will be heralding in 2021 with a mix of new and old. First up, Bing Liu's stellar documentary Minding the Gap will be joining the coll...
With a seemingly endless amount of streaming options—not only the titles at our disposal, but services themselves–each week we highlight the noteworthy titles ...
While my first day of the 56th Chicago International Film Festival brought four scripted movies, day two had a bit more variety on that front. Yes, Thursday th...
Big Oil has been wrecking the environment for decades with spills, fires, and wastewater ponds amongst other atrocities to Mother Nature that place their botto...
