An official selection at TIFF, Gravitas Ventures has unveiled the first trailer for The Rest of Us, the debut feature from Aisling Chin-Yee starring Heather Gr...
Directed and co-written by Florian Zeller from his own play, The Father doesn’t have much visual flair. It’s a first feature, largely takes place in one apartm...
Since any New York City cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile reperto...
A Michael Almereyda film can be a special thing. A few years back, the writer/director gave us Experimenter, an impressive kinda-biopic of Stanley Milgram star...
In September 1997, sparked by desperation and noble intentions, Rob Richardson committed armed robbery. He was handed a 65-year prison sentence with no real ho...
Notoriously masculine and unwelcoming, the realm of American action cinema as a genre often refuses to give female characters the same agency as their male cou...
Here’s a film for which the label “low-key” feels particularly misleading, one whose power resides in its simplicity, in its ability to conjure grace out of a ...
In the opening minutes of Tapeworm, a man (Adam Brooks) pulls into a gas station to use their restroom, only to find it occupied. Unable to hold it in, he runs...
Opening with a jarring, heart-stopping scene in which David (Clayne Crawford) points a gun at his sleeping wife, Robert Machoian’s The Killing of Two Lovers is...
As Joseph (Ben Whishaw) sits at the table with his parents (Ellie Haddington and Ian Gelder), he puts his mouth to a glass. He wraps his lips around the rim as...
