After a surprise tease at the Super Bowl, we've been waiting for Netflix to share more about David Fincher's The Adventures of Cliff Booth, the Quentin Taranti...
László Nemes began his career on a mountaintop that he’s struggled to scale ever since. Son of Saul was the rare first film that not only premiered in competit...
Clio Barnard returns to Directors’ Fortnight after The Selfish Giant and Ali & Ava with an adaptation of Keiran Goddard’s novel I See Buildings Fall Li...
Do not adjust your sets or fear that you've lost consciousness. Marking one of the more intriguing director-actor pairings in God knows how long, Leos Carax ha...
Seemingly cornering the recent market on Hollywood star-driven, auteur-directed French productions after Olivier Assayas' The Wizard of the Kremlin last week, ...
Seen through a child’s eyes, the French Riviera suggests heaven on Earth. For the three at the heart of Bruno Dumont’s Red Rocks—Geo (Kaylon Lancel), Manon (Lo...
In Everytime, a sun-dappled film about death and love that might be the best in Cannes this year, the terrible loss of a teenage girl’s life leaves her mot...
In the Grey, written and directed by Guy Ritchie, is a nifty bit of entertainment. Ninety minutes long before credits and starring Jake Gyllenhaal, Henry Cavil...
Almost ten years to the day since The Neon Demon’s premiere, Nicolas Winding Refn returns to Cannes with Her Private Hell—a film wherein the Internet’s it girl...
A soft upright piano playing “Amazing Grace” drapes in warmly over the opening image of Fjord: a powder-blue-hued glacial mountain towering over the gliste...
