The year "2012" doesn't appear at the beginning of Eva Mulvad's documentary Love Child because it's an era-specific story. No well-known international news head...
The day breaks and the rhythm of a community sparks with music, breathing, and rote action that keeps everyone in a familiar balance. They visit Varney the butc...
Few films come out in any given year with creative choices as baffling as the ones made by Edward Norton’s Motherless Brooklyn. The story goes that when the nov...
Just because you can troll the trolls on the internet from the comfort of your couch while wearing nothing but underwear and a bathrobe doesn't mean you should....
Despite death being a definitive end, there's still a chance for new beginnings in the aftermath. Sometimes it's by necessity and sometimes by choice. In the ca...
Starring Steve Coogan as a billionaire who is literally named “Rich,” Greed cannot be accused of being a subtle movie—but then, these are not subtle times. Reus...
How much would you spend on your child's education? Lori Loughlin money? Or more working-class parent utilizing public schools while voting Republican to keep t...
There are two consistently pervasive ideas in the films of New York filmmaking duo Josh and Benny Safdie. The first is their clear affection for the art and cr...
The first few minutes of Trey Edward Shults’ Waves are positively dizzying. Amidst a throbbing Trent Reznor-Atticus Ross score, a high school wrestler, Tyler, d...
No stranger to a good mystery—noir (Brick) or comedy (The Brothers Bloom)—Knives Out sees Rian Johnson back to a wholly original property before returning to th...
