Jafar Panahi arrives in the United States as both a vector of history and blank slate. His profile would be enough were he only one of Iran’s leading filmmaker...
Note: This review was originally published as part of our 2025 Cannes coverage. It Was Just an Accident is now in theaters.
If you were handed over the ...
Jafar Panahi followed Henri-Georges Clouzot, Michelangelo Antonioni, and Robert Altman as just the fourth director to win the Cannes Palme d'Or, the Berlin Gol...
Juliette Binoche's Cannes jury has unveiled their winners for this year's edition, awarding the Palme d'Or to Jafar Panahi's It Was Just an Accident, marking N...
A radically-defiant artist, Iranian director Jafar Panahi has been making some of the most vital––both artistically and politically––works of the last three de...
Jafar Panahi’s career can now be split into two distinct sections: his work prior to an initial 2010 arrest amidst Iran’s Green Movement, and his creative resp...
A radically defiant artist, Iranian director Jafar Panahi has been making some of the most vital––both artistically and politically––works of the last three de...
A pair of renowned auteurs who often work in secrecy have finished shooting their next projects. First up, South Korean director Hong Sangsoo has actually shot...
Anthology films like The Year of the Everlasting Storm, wherein a flurry of esteemed directors create short segments tethered to a common theme, lack a strong ...
Memoria won't be the only Apichatpong Weerasethakul film at Cannes Film Festival. Along with that highly-anticipated Tilda Swinton-led project, the Thai master...
