50 years, 150-something films, and a stable of auteurs that beggars belief would suggest Isabelle Huppert has done it all––hence my surprise she's not yet star...
Two things can be true at once. The old debate over whether Hong Sangsoo's cinema is overly earnest or self-aware was always a bit reductive––when the most lig...
An early notable of this year's Berlin lineup is A Traveler's Needs, the latest from Hong Sang-soo. No surprise he's appearing at the festival for the fourth c...
I’ll admit I didn’t expect to see an overt Vertigo homage in the middle of this rather matter-of-fact Isabelle Huppert procedural. Fixating for a second on the...
Isabelle Huppert is one of cinema's most fearless and compelling performers: she can be both powerfully raw and impenetrably composed at once. It is even more ...
About, oh, a day after arguing Dark Glasses would surely be 82-year-old Dario Argento's final feature, the director showed why he is a legend and, cards on the...
In a major casting coup, The Assistant star Julia Garner has beat out Florence Pugh, Alexa Demie, Odessa Young, and more to be offered the role of Madonna...
Not only did Ryusuke Hamaguchi craft two of the greatest films of last year with Drive My Car and Wheel of Fortune and Fantasy, but the rising Japanese master ...
Legendary actress Isabelle Huppert is partaking in quite a bit of fun for a new French crime comedy. Mama Weed, directed by Jean-Paul Salomé, finds the star pl...
