Anyone seeking a peek into Ulrich Seidl's worldview--perhaps his soul--could do worse than Rimini, his first film since Safari in 2016 and first narrative feat...
Flux Gourmet is arguably the first instance where Peter Strickland, the British genre specialist who’s always seemed inches away from a real career breakthroug...
Considering the Wikipedia page for Sable Island states a population of zero (minus the six-to-twenty-five rotating personnel team from the Meteorological Servi...
I made the mistake of worrying about plot while watching Natalia López's feature directorial debut Robe of Gems. The synopsis dares you to worry with its talk ...
In Being John Malkovich, an entire half-hour passes by before John Cusack’s hangdog puppeteer peaks behind his filing cabinet and finds a tunnel to another man...
From the sure evidence of his filmography—and, yes, his legendarily turbulent private life—Rainer Werner Fassbinder should be quite tickled by the thought of a...
Cinephiles love to quote Roberto Rossellini, after his viewing of Chaplin’s oft-maligned late work A King in New York: "This is the film of a free man." Alain ...
Marking his first feature film in a decade, Dario Argento is back this week with the world premiere of Dark Glasses, taking place this Friday at Berlinale. In ...
What first appears to be an energetic, biographical sketch of NYU Professor and filmmaker Christine Choy becomes a film about her lost project, one that seemin...
It’s 5 p.m. and the day tumbles white with clouds. A car sneaks out of a parking lot and into traffic. The man at the wheel is alone. He turns off the radio an...
