As you watch Dark Glasses, Dario Argento’s first film in a decade, it’s nice to think back on his recent performance as the aging film critic in Gaspar Noé’s V...
A contemporary cliché that weakly attempts to diagnose what ails us in modern life is the idea of being addled by technology––of our minds and attention spans ...
In Before, Now & Then the social and political upheavals of 1960s Indonesia provide a hardened backbone to what is otherwise a tale of longing and simmerin...
The title of Lina Rodriguez's documentary Mis dos voces says it all. Her three subjects (as well as her) are Latin American immigrants living in Canada with s...
In Both Sides of the Blade a romance breaks down and threatens to break up in a stylish apartment overlooking the sweet Parisian skyline. The director is of co...
Anyone seeking a peek into Ulrich Seidl's worldview--perhaps his soul--could do worse than Rimini, his first film since Safari in 2016 and first narrative feat...
Flux Gourmet is arguably the first instance where Peter Strickland, the British genre specialist who’s always seemed inches away from a real career breakthroug...
Considering the Wikipedia page for Sable Island states a population of zero (minus the six-to-twenty-five rotating personnel team from the Meteorological Servi...
I made the mistake of worrying about plot while watching Natalia López's feature directorial debut Robe of Gems. The synopsis dares you to worry with its talk ...
In Being John Malkovich, an entire half-hour passes by before John Cusack’s hangdog puppeteer peaks behind his filing cabinet and finds a tunnel to another man...
