Is reinvention overrated? For at least 45 minutes, Athena (named for the fictional area where the film is based as well as the goddess of wisdom and war) threa...
There is a paradox at the heart of Master Gardener. In their respective worlds—one of abstinence and iconography; the other of money and risk—priests and gambl...
This year’s Venice Film Festival competition has not been short on bloat. Todd Field, Noah Baumbach, and Alejandro G. Iñárritu all turned in sprawling works th...
Something has happened in Abel Ferrara’s working life that aligns him with Stanley Kubrick’s later career journey. The latter shot all his features from 2001 o...
Silverio Gama (Daniel Giménez Cacho) is, as many artists like to imagine themselves, a disheveled-genius type. Once an independent journalist in his hometown o...
In a Hollywood landscape that seems less and less concerned with adult-minded genre fare, it's refreshing to see that The Warriors and 48 Hrs. director Walter ...
At the end of the 1970s, while working as a bat boy for the Portland Mavericks, Todd Field had a bright idea: why not make a stringy-shaped gum (call it Big Le...
As customary, Telluride Film Festival has unveiled its lineup on the eve of its kickoff. For its 49th edition, taking place from September 2-5, the festival fe...
Certain literary works feel destined for adaptation; with Don DeLillo’s postmodern classic White Noise, published in 1985, it was surely inevitable. Inevitable...
“These three films, they're all masterful. They're extraordinary films, and they're actually quite different.” It’s mid-July in Switzerland and Todd Haynes is ...
