Few films each year get the distinction of screening at the majority of the major film festivals, but following in the path of Blue Ruin, Only Lovers Left A...
Perhaps in another version of Takashi Miike’s latest film (and his first to be receiving a proper US distribution deal since 2011’s 3D extravaganza Hari-Kiri), ...
One would be hard-pressed to argue for Jean-Luc Godard’s Goodbye to Language as obscure or below-the-radar. Following a recent premiere at Cannes, where the...
It was only a year ago when Alex Ross Perry's name was mentioned primarily among a small, supportive group of cinephiles, this contingent visibly excited by...
Alongside promoting Exodus: Gods and Kings this fall, Ridley Scott will also be focusing on his next project, a return to the world of sci-fi with The Marti...
"James [Franco] has really resuscitated my interest and understanding what independent film is supposed to be, which is relentlessly author drive and director driven, but utterly inclusive, and to use that seeming contradiction to balance a collective approach to filmmaking that, nevertheless, has a very clear point of view."...
“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact impressionable souls will do so without fail. This monthly column focuse...
"Maybe people are starved for something that isn't very noisy that allows them to contemplate and actually talks about big things, things like faith, identity, history, individual paradoxes of the human soul."...
Arriving in theaters a year after its initial festival bow, John Curran’s stunningly beautiful film Tracks traces the 1,700 mile trek of Robyn Davidson (Mia Wasikowska) from the central Australian town of Alice Springs to the Indian Ocean....
When a few hundred films stop by 2014's Toronto International Film Festival, it's certainly impossible to cover everything, but we were able to catch about 80...
