I opened Twitter on a beautiful Friday evening because I've long struggled to treat myself well and ultimately don't believe I deserve happiness. But after 14 ...
Slowly but surely the earlier work of Claire Denis is getting restorations and re-releases, from Beau Travail to L'intrus to No Fear No Die. While we hope Frid...
It's not so much the question of whether or not Claire Denis and Tindersticks are modern cinema's most fruitful director-musician collaboration; it's more a ma...
It's been nine years since Tindersticks released a Claire Denis soundtrack; every listen to Stars at Noon (of which I've had several this week) justifies that ...
Claire Denis has had a busy year. Her two films, Both Sides of the Blade and Stars at Noon, premiered at Berlinale and Cannes, respectively. Blade earned the S...
A true Tindersticks fan will only welcome whatever's next, but even by such open-armed standards was I dazzled by their soundtrack for Stars at Noon, the (give...
It's now evident that smaller-scale projects from Claire Denis that she completes while waiting for the larger-scale ones to get off the ground are more artist...
With a friendship that goes back nearly four decades, Claire Denis and Jim Jarmusch gathered on the occasion of the North American premiere of her stunning new...
Interviewing Claire Denis keeps one on their toes. Receptive to good ideas and quick to challenge any false note, the director—by most metrics one of our gre...
Claire Denis is back with two new features this year, the first of which comes to theaters in just a few weeks. Both Sides of the Blade—which premiered at Berl...