Cannes

The Climb Trailer: Cannes Winner and Sundance Selection Explores a Biting Bromance

The boundaries of friendship have been acutely explored in cinema since close to its inception, but perhaps more intimately so in the arena of mumblecore the p...

And Then We Danced Trailer: Acclaimed Gay Romance Arrives this February

An official selection at Cannes Directors’ Fortnight and Sweden’s entry for Best International Film at the 92nd Academy Awards, And Then We Danced has earned m...

U.S. Trailer for Beanpole Previews Kantemir Balagov’s Cannes Winner and Russia’s Oscar Entry

Russia’s official selection for the 92nd Academy Awards, Beanpole is the achingly beautiful sophomore feature by the burgeoning auteur Kantemir Balagov. An offi...

Mati Diop on Her Feature Debut ‘Atlantics,’ Giving Meaning to Lost Lives, and the Hysteria of Cannes

We spoke with Mati Diop at the 57th New York Film Festival about crafting her debut feature film as the completion to her 2009 short Atlantiques....

Willem Dafoe Lives a Version of Abel Ferrara’s Life in First Trailer for ‘Tommaso’

One of the great collaborations in recent cinema is that of Willem Dafoe and Abel Ferrara, including 4:44 Last Day on Earth, Pasolini, Go Go Tales, and New ...

Exclusive: KimStim Acquires Oliver Laxe’s ‘Fire Will Come’ for 2020 Release

Quickly establishing themselves as one of the premier indie and foreign distributors, KimStim has released some of the year's best films, including An Elephan...

Song Kang-ho on Father Figures, Not Having a Plan, and Why ‘Parasite’ is the Culmination of Bong Joon-ho’s Career

We talk to the veteran actor, whose filmography is saturated with projects helmed by masters of contemporary Korean cinema....

‘Little Joe’ Trailer: Emily Beecham and Ben Whishaw Breed Killer Plants

After landing on our radar with the formally thrilling, adventurous Amour Fou, Jessica Hausner finally returned with Little Joe. Starring Emily Beecham, Ben...

NYC Weekend Watch: Return of MoMA, Downtown Tokyo and More

The best films playing in NYC this weekend....

Lav Diaz on the Desire for Epic Runtimes, Not Voting for the Oscars, and the Problem with Big Film Festivals

We had the chance to speak with the celebrated filmmaker in Hamburg about his approach to filmmaking, streamers versus cinema, and his experiences at film festivals. ...

News

Sean Price Williams Eyes Solo Directorial Debut with Nick Pinkerton-Scripted Feature

Exclusive: Big Ears Festival 2020 Unveils Eclectic Film Lineup

Song Kang-ho Sets First Post-Parasite Project: Emergency Declaration With Jeon Do-yeon & Lee Byung-hun

Trailers

Candyman Trailer Introduces Nia DaCosta and Jordan Peele’s Horror Sequel

Vàclav Marhoul’s Uncompromising, Controversial WWII Drama The Painted Bird Gets U.S. Trailer

Bad Education Trailer: Hugh Jackman Gets Caught in a School Scandal

Reviews

The Invisible Man Review: Elisabeth Moss Commands an Empathetic Horror Film That Reaches Maniacal Heights

Berlin Review: Jóhann Jóhannsson’s Final Work Last and First Men is an Extraordinary Cinematic Odyssey

Berlin Review: Days Marks an Intensely Minimal Narrative Return for Tsai Ming-liang

Features

NYC Weekend Watch: Kelly Reichardt, Buffalo ’66, Dušan Makavejev & More

Come and See: The Power of Psychological Violence in Elem Klimov’s Anti-War Classic

New to Streaming: Dark Waters, Meek’s Cutoff, Frankie & More

Interviews

Jean-Pierre and Luc Dardenne on Young Ahmed, Arabic Teachings, and Taking Religion Seriously

Inside the Revolutionary Visual Effects Process of The Irishman

Angela Schanelec on I Was at Home, But…, the Kindness of Ozu, and Her Filmmaking Philosophies

Podcasts

The Film Stage Show Ep. 387 – Top 10 Films of 2019

The B-Side – Harrison Ford

The Film Stage Show Ep. 386 – A Shaun the Sheep Movie: Farmageddon