The Film Stage - Page 999

Rami Malek and Charlie Hunnam Plan Their Escape in First Trailer for ‘Papillon’ Remake

First premiering at the Toronto International Film Festival last fall, Papillon is now slated for a theatrical release later this summer, and the first trai...

‘The King’ Trailer Connects Elvis Presley with the Decline of America

The King, Eugene Jarecki’s newest documentary feature, first premiered one year ago, finding critical success at the Cannes Film Festival under the title Pr...

First Teaser for Nicolas Winding Refn’s ‘Too Old to Die Young’ Sets Miles Teller in a World of Crime

After months of anticipation – and after only being slightly relieved through teasing information from director Nicolas Winding Refn’s Twitter posts, as wel...

Robert Pattinson Searches for Mia Wasikowska in First Trailer for ‘Damsel’

The stunning vistas aren't the only signifiers of the western genre in Damsel, yet we quickly grasp that David and Nathan Zellner have crafted revisionist t...

Rediscover Jean Cocteau’s ‘Les Parents terribles’ in Exclusive Trailer for 70th-Anniversary Theatrical Restoration

Jean Cocteau's filmography could be considered relatively modest compared to some of his French brethren -- but with an output among cinema's most immense, ...

The Best Films of the 2018 Cannes Film Festival

We wrap up Cannes 2018 with our favorite films of the festival....

New to Streaming: ‘Black Panther,’ ‘On the Beach at Night Alone,’ ‘The Party,’ and More

All the newly streaming films of Netflix, Amazon, MUBI, and more....

Cannes Review: ‘The Wild Pear Tree’ Marks Another Triumph for Nuri Bilge Ceylan

Last week we saw a film from Pawel Pawlikowski that crossed continents and spanned decades and lasted a mere 84 minutes. With the exception of a devastating cli...

Cannes Review: M83’s Yann Gonzalez Stages Delightfully Icky Horror with ‘Knife + Heart’

There is a movie within the movie Knife + Heart and it boasts the slightly euphemistic title of Homocidal (although I prefer the working title: Anal Fury). It i...

Cannes Review: Sergei Loznitsa’s ‘Donbass’ is Technically Impressive, Emotionally Bludgeoning

Sergei Loznitsa’s Donbass forms a rough trilogy with two of his previous features, My Joy (2010) and A Gentle Creature (2017), offering another social allegory ...

News

NYC Weekend Watch: Korean Cinema’s Celluloid Fever, Southland Tales, Gamer & More

The Criterion Channel’s June Lineup Features Odysseys, Weddings, James Bond, and Brian Eno

First Look at Pascal Plante’s Red Rooms Follow-Up King’s Daughters Starring Sandrine Bonnaire

Trailers

Exclusive Trailer and Poster for Lisandro Alonso’s Double Freedom Marks a Powerful Reunion

Isabelle Huppert and Delphine Seyrig Inhabit an Artist In Exclusive Trailer and Poster for Liliane de Kermadec’s Aloïse

The Rivals of Amziah King Trailer: Matthew McConaughey Leads Andrew Patterson’s Crime Thriller

Reviews

Cannes Review: With Club Kid, Jordan Firstman Announces Himself as a Director to Watch

Cannes Review: Fatherland Finds Paweł Pawlikowski in a Heady, Aching Register

Cannes Review: Teenage Sex and Death at Camp Miasma Is a Joyful Addition to Jane Schoenbrun’s Box of Mysteries

Features

New to Streaming: Yes, The Love That Remains, The Christophers, Project Hail Mary & More

The Best Movies Now Playing in Theaters

NYC Weekend Watch: Kazuhiko Hasegawa, Pynchonesque, Max and Richard Fleischer, the Pusher Trilogy & More

Interviews

“Making Movies Should Be a Pleasure”: Olivier Assayas on The Wizard of the Kremlin

“Everything Is By Chance”: Tony Leung on Silent Friend, Léa Seydoux, and Ryûsuke Hamaguchi

Silent Friend Director Ildikó Enyedi on Capturing a Tree’s Perspective and the State of a Soul

Podcasts

The B-Sides of Eddie Murphy with Nicholas Gray and Alvin Keith

The B-Sides of Chow Yun-Fat

Josh Heaps on the DIY Horror of City Wide Fever

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