The Film Stage - Page 978

Full Trailer for László Nemes’ ‘Son of Saul’ Follow-Up ‘Sunset’

Following up his Oscar-winning drama Son of Saul (unpopular, by at least The Academy's standards), László Nemes is facing the beast that is a sophomore effo...

Locarno Review: ‘All Good’ Confronts a Nightmare with Uneasy Mundanity

What immense health German cinema has found itself in lately. Since the turn of the decade, audiences of a certain ilk have grown accustomed to seeing names lik...

Review: ‘The Meg’ Swims in Circles

Ever since Steven Spielberg set foot on the beach, directors have been attempting to recapture a similar level of thrills and artistry in the shark movie, usual...

The Film Stage Show Classic – The New World

We explore the raw, organic romanticism of Terrence Malick's film, and how it acts as a pivot point in the divisive genius's career....

Locarno Review: ‘Too Late to Die Young’ is a Piercing, Tender Memoir of Coming of Age in Chile

Halfway through Dominga Sotomayor’s movingly tender coming-of-age tale Too Late to Die Young (Tarde Para Morir Joven), my mind jolted back to a movie I saw and ...

Review: ‘Summer of ’84’ is a Nostalgic Trip Capturing Youthful Discovery

At its height, Summer of '84 sings like a sandy page-turner you end up finishing in the fall, with the wind swirling and mischief night just around the corner. ...

Locarno Review: ‘Ray & Liz’ is a Remarkably Vivid, Tender Drama Built on Fractured Memories

If there is an image to best introduce audiences to the grimy cinematic world of Ray & Liz–the remarkable debut feature of Turner prize-nominated visual art...

Locarno Review: ‘A Family Tour’ is a Loaded Melodrama Mirroring Real Life

The last time that director Liang Ying released a film (When Night Falls, back in 2012) it was apparently deemed to be a dangerous enough critique of the Chines...

The B-Side – Jason Statham

We discuss the (perhaps deservedly) overlooked b-side of Statham's career....

Review: ‘Elizabeth Harvest’ Finds Beauty in the Horror of Claustrophobia

Brightly lit as though a fantasy beyond Elizabeth's (Abbey Lee) wildest dreams, we meet her and new husband Henry (Ciarán Hinds) as they drive towards the rest ...

News

The Criterion Channel’s June Lineup Features Odysseys, Weddings, James Bond, and Brian Eno

First Look at Pascal Plante’s Red Rooms Follow-Up King’s Daughters Starring Sandrine Bonnaire

Catherine Breillat Sets Next Film With The German Cousin

Trailers

Isabelle Huppert and Delphine Seyrig Inhabit an Artist In Exclusive Trailer and Poster for Liliane de Kermadec’s Aloïse

The Rivals of Amziah King Trailer: Matthew McConaughey Leads Andrew Patterson’s Crime Thriller

Nostalgia for the Future Exclusive Trailer: Charlotte Rampling Travels Through Chris Marker’s World in Cannes Premiere

Reviews

Cannes Review: Teenage Sex and Death at Camp Miasma Is a Joyful Addition to Jane Schoenbrun’s Box of Mysteries

The Wizard of Kremlin Review: An Irrelevant, Cynical Approach to Vladimir Putin’s Russian

Cannes Review: Kantemir Balagov’s Butterfly Jam Can’t Find a Rhythm

Features

New to Streaming: Yes, The Love That Remains, The Christophers, Project Hail Mary & More

The Best Movies Now Playing in Theaters

NYC Weekend Watch: Kazuhiko Hasegawa, Pynchonesque, Max and Richard Fleischer, the Pusher Trilogy & More

Interviews

“Making Movies Should Be a Pleasure”: Olivier Assayas on The Wizard of the Kremlin

“Everything Is By Chance”: Tony Leung on Silent Friend, Léa Seydoux, and Ryûsuke Hamaguchi

Silent Friend Director Ildikó Enyedi on Capturing a Tree’s Perspective and the State of a Soul

Podcasts

The B-Sides of Eddie Murphy with Nicholas Gray and Alvin Keith

The B-Sides of Chow Yun-Fat

Josh Heaps on the DIY Horror of City Wide Fever

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