Since any New York City cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repe...
Can we talk about Matthias Schoenaerts? The Belgian actor made a splash on the festival circuit with Bullhead in 2011, leading to roles–both lead and supporting...
When Tom Hanks was stranded on an island alone in Cast Away, he got the better end of the deal than what Kiersey Clemons faces in Sweetheart. Not only must she ...
If one wants to watch a sweaty, disturbed Armie Hammer wander around New Orleans as he’s haunted by a malevolent spiritual force, Wounds satisfies on those plea...
From her break-out performance in 12 Years a Slave, Lupita Nyong'o hasn’t found much time to let loose with genre fun in her admittedly still-young career. Howe...
There is so much passion, so much love behind (and in front) of the camera in Blinded by the Light that it makes this negative review rather hard to write. Dire...
When aspiring indie filmmakers first turn their lens on their family, often they’re met with a certain amount of reluctance. For his directorial debut The Disap...
After his excellent drama Julieta, Pedro Almodóvar is back with Dolor y Gloria (aka Pain and Glory), his 21st film. Headlined by Antonio Banderas and Penélo...
I told myself not to mention Sons of Anarchy in my review for Outlaws before sitting down to watch. My reasoning came out of a desire to judge Stephen McCallum'...
