The Film Stage - Page 919

‘The Man Who Killed Don Quixote’ Review: Terry Gilliam Completes His Chaotic Journey With Mixed Results

Throughout his career as a director, Terry Gilliam has aimed to portray the outlandish and disorderly in imaginative, transportive ways. His greatest achievemen...

‘Pet Sematary’ Review: Stephen King’s Ghoulish Tale Gets a Twisted Reanimation

There's something somewhat hypocritical in remaking a horror yarn about the perils of not leaving something well enough alone. Much like Jason Clarke's Louis Cr...

New to Streaming: ‘The Beaches of Agnès,’ ‘Glass,’ ‘Stories We Tell,’ and More

All the newly streaming films of Netflix, Amazon, MUBI, and more....

NYC Weekend Watch: King Hu, ‘U.S. Go Home,’ Japanese New Wave, ‘Point Blank’ & More

The best films screening in NYC this weekend....

Kristen Stewart Cons Her Way Through the First Trailer for ‘J.T. LeRoy’

Premiering last fall at the Toronto International Film Festival, J.T. Leroy (then titled Jeremiah Terminator LeRoy) tells the true story as captured in Sava...

Trailer for Nicolas Winding Refn’s ‘Too Old to Die Young,’ Set for June Release

Not to be confused with Dominga Sotomayor's excellent coming-of-age film Too Late to Die Young arriving at the end of May, Nicolas Winding Refn's crime dram...

The B-Side – Ryan Gosling

We discuss Murder by Numbers, The Slaughter Rule, The United States of Leland, Fracture, Lars and the Real Girl, and more....

First Trailer for Brian De Palma’s Crime Thriller ‘Domino’

The summer movie slate just got a little more compelling. Seven years after his unfairly overlooked thriller Passion, Brian De Palma is finally returning. After...

‘Missing Link’ Review: Laika’s Epic Tells a Well-Worn Story with Beautiful Detail

The years between Laika releases–in which our eyes are exposed to hours of unimaginative, cookie-cutter Hollywood animation–always seems to be just enough time ...

Dick Pope on Peterloo, Drones, The Favourite, and His Distaste for Celluloid Projection

We talk to Mike Leigh's cinematographer about crafting a massacre....

News

The Criterion Collection’s September Lineup Features Leos Carax 4K Set, The Secret Agent, Richard Linklater, Satyajit Ray & More

Exclusive: Altered Innocence Acquires Restoration of Srđan Karanović’s Virgina for Fall Release

Japan Cuts Announces 2026 Slate Featuring Hirokazu Kore-eda, Gakuryu Ishii, Yoji Yamada & More

Trailers

Barrio Triste Trailer: Bad Bunny Collaborator Stillz’s Bold Directorial Debut Arrives In July

Cemre Paksoy’s Hands Are Tied In Trailer for Georgia Bernstein’s Sinister Sundance Favorite Night Nurse

Marcello Mastroianni Yearns In Trailer for 4K Restoration of Luchino Visconti’s White Nights

Reviews

Tribeca Review: Sophia Takal’s Act One Feels Like a Lucid Nightmare

The Death of Robin Hood Review: A Portrait of the Outlaw as a Bald-Faced Lie

Tribeca Review: Here I’m Alive Is a Raw, Intimate Look at Messy New York Lives

Features

New to Streaming: Blue Film, I Am Frankelda, It’s Dorothy! & More

The Best Movies Now Playing in Theaters

NYC Weekend Watch: Douglas Sirk in 3D, The Organizer, Body Double & More

Interviews

Read This: Wonderful and Strange Peaks, the Life of Hannibal Lecter, a Century of Hitchcock, Martin Scorsese’s Filmography & More

“The Hard Work Is In the Screenwriting”: John Sayles on Resourceful Filmmaking, James Cameron, and His TIFF Retrospective

The Currents Director Milagros Mumenthaler on Sensory Filmmaking, Motherhood, and Capturing an Internal State

Podcasts

The B-Sides of Goldie Hawn with Jen Johans

The B-Sides of Laurence Fishburne with Mitchell Beaupre

The B-Sides of Eddie Murphy with Nicholas Gray and Alvin Keith

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