The Film Stage - Page 893

Abel Ferrara’s 10 Favorite Films

With the U.S. release of Pasolini, the premiere of his new documentary The Projectionist at Tribeca, his new narrative film Tommaso bowing at Cannes, production...

A Fantastical Adventure Begins in First Trailer for Pixar’s ‘Onward’

While Pixar has been relying upon sequels to appease the box-office grosses demanded by their Disney overlords, thankfully it looks like the company is focu...

U.S. Trailer for ‘Our Time’ Finds Carlos Reygadas Getting Personal

For his latest film, Mexican director Carlos Reygadas looked inward, casting his own family in the 173-minute Our Time, set on a ranch as jealousy interrupt...

‘Rocketman’ Review: Elton John Biopic Swings for Truly Cosmic Fantasia

It’s difficult to not be impressed by Dexter Fletcher’s Rocketman in some form or other. It’s placed in a paradoxical position. In the wake of Bohemian Rhapsody...

New to Streaming: ‘Domino,’ Cannes 2019 Shorts, ‘Running with Beto,’ and More

All the newly streaming films of Netflix, HBO, Amazon, MUBI, and more....

NYC Weekend Watch: ‘Miami Vice,’ Jarmusch, ‘Safety Last!’ & More

The best films playing in NYC this weekend....

First Trailer for ‘Rambo: Last Blood’ Features Sylvester Stallone’s Final Stand

As he keeps the Rocky franchise going, Sylvester Stallone is also pumping blood into another one of his series: Rambo. Ever since the 2008 installment, he's...

The B-Side – Meg Ryan

Today, we celebrate America’s blonde-haired sweetheart and discuss Hanging Up, Proof of Life, Against The Ropes, and more....

Cannes Review: ‘Sorry We Missed You’ is a Masterful Indictment of Out-of-Control Capitalism

Ken Loach’s follow-up to his Palme d’Or-winning I, Daniel Blake is a masterful indictment of the strain of out-of-control capitalism that has dug its heels into...

‘The Goldfinch’ Trailer: ‘Brooklyn’ Director John Crowley Returns to New York

The summer movie season also means an early glimpse of some of the fall's major films and today one of the first trailers from the season has arrived. The G...

News

New Restoration of Ken Russell’s The Devils Leads Cannes Classics 2026 Lineup

Whit Stillman Plans Return with Adam Brody-Led A Night at Claridge’s; Sebastian Stan and Ana de Armas to Lead Felipe Gálvez’s Impunity

Ryûsuke Hamaguchi’s Rare Touching the Skin of Eeriness Screens May 19

Trailers

Maddie’s Secret Trailer: John Early Crafts a Sincere Satire in Directorial Debut

Kamal Aljafari Documents a Vanishing Land In Exclusive Trailer Debut for With Hasan in Gaza

Dominic Sessa is Anthony Bourdain in First Trailer for Matt Johnson’s Tony

Reviews

Blue Film Review: Masterful Two-Hander Confronts Flaws with Empathy

Our Land (Nuestra Tierra) Review: Lucrecia Martel’s Essential Document of Indigenous Resistance

This is Not a Drill Review: A Sharp Portrait of Climate Activists Who Still Fight

Features

Posterized May 2026: Renoir, I Love Boosters, Backrooms & More

New to Streaming: A Magnificent Life, Wuthering Heights, Stranger Eyes, An Unfinished Film & More

NYC Weekend Watch: Tony Leung, Bellissima, Whisper of the Heart & More

Interviews

Silent Friend Director Ildikó Enyedi on Capturing a Tree’s Perspective and the State of a Soul

Arnaud Desplechin on Two Pianos, Nervous Breakdowns, and Making Cinema Bigger Than Life

“Objectivity Is Not Possible”: Lucrecia Martel on Crafting Her First Documentary

Podcasts

The B-Sides of Chow Yun-Fat

Josh Heaps on the DIY Horror of City Wide Fever

The B-Sides of Steve Martin with Eric D. Snider

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