An official Selection of the Berlin International Film Festival and directed by experimental filmmaker Peter Parlow, The Plagiarists opens on June 28. Anna (L...
In the summer of 2000, the Russian submarine named Kursk took on a naval exercise in the Barents Sea, the first of its kind since the fall of the Soviet Union a...
Since any New York City cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repe...
Le Cinéma Club, the boutique one-per-week streaming service, returns with... admittedly, vengeance is a strong word, so maybe not that, but certainly a thro...
Welcome, one and all, to the latest installment of The Film Stage Show! Today, Michael Snydel, Bill Graham and I are joined by Adam Nayman to talk about the...
The story of filmmaking in New York City is incomplete without consideration of the foreign-language films that are regularly made here. Such films—off the top ...
Long-developing, now active in a major way, Richard Jewell is likely Clint Eastwood's next directorial project (and follow-up to absolute heater The Mule). ...
A million years (actually 22/23 years) ago, the world was given two Will Smith-starring, alien-fighting blockbusters within 364 days of one another. And though ...
Where better than New York City to make a structuralist film? Cities are iterative, their street grids diagrams of theme and variation, and New York most of all...