The Film Stage - Page 863

‘Wounds’ Trailer: Armie Hammer and Dakota Johnson Get Haunted

One of the biggest question marks of the year was if, in fact, the horror-thriller Wounds would make its way to screens before 2019 ends. Babak Anvari’s fol...

Watch Martin Scorsese’s Long-Unavailable 1970 Documentary ‘Street Scenes’

Nothing for Martin Scorsese completists makes a bigger mark than Street Scenes, a documentary on student strikes he'd developed with NYU students in 1970. Long ...

Exclusive: Cinema Guild Acquires Albert Serra’s ‘Liberté’ for U.S. Release

One of the most daring films on the festival circuit this year has found a home. We're pleased to exclusively reveal that Cinema Guild has acquired the U.S....

‘Uncut Gems’ Trailer: Adam Sandler is on the Run in Safdies’ Diamond District Thriller

After naming Good Time the best film of 2017, expectations were sky-high for the Safdies' follow-up Uncut Gems and it looks to have delivered the goods. Ahe...

12 Films to See at the 57th New York Film Festival

The year's best-curated selection of cinema begins this Friday at Film at Lincoln Center: the New York Film Festival....

NYFF Review: Young Ahmed is a Compassionate, Yet Surface-Level Misstep for the Dardennes

Fitting their preoccupations with contemporary Europe’s working class, the latest from Belgian’s preeminent filmmaking duo, Jean-Pierre and Luc Dardenne, seeks ...

Exclusive Trailer for Alain Corneau’s Restored Jim Thompson Adaptation ‘Série noire’

The work of Jim Thompson has had a healthy life on screen, ranging from adaptations in America (The Getaway, The Grifters, The Killer Inside Me) and beyond,...

‘Depraved’ Review: Larry Fessenden Introspectively Reworks Mary Shelley’s ‘Frankenstein’

So much of what we do in our lives comes down to a matter of could versus should. Many of us want to prove ourselves worthy by doing something nobody has ever d...

TIFF Review: ‘Guest of Honour’ Finds Atom Egoyan Returning to the Greatest Hits of His Early Work

As a life-long appreciator of Atom Egoyan–trust me on this one–Guest of Honour is one of his stranger pictures veering occasionally into the territory of dark c...

The Film Stage Show Ep. 365 – Ad Astra

We discuss James Gray's Brad Pitt-led space odyssey....

News

Japan Cuts Announces 2026 Slate Featuring Hirokazu Kore-eda, Gakuryu Ishii, Yoji Yamada & More

Alice Rohrwacher to Direct The Baron in the Trees; Next Film to Be Primarily Silent

Cristian Mungiu’s Fjord Wins Palme d’Or: See Full List of Cannes 2026 Winners

Trailers

I Want Your Sex Teaser: Gregg Araki Returns with Olivia Wilde and Cooper Hoffman

Whalefall Trailer: Austin Abrams Gets Trapped In the Belly of the Beast

Once Upon a Time in Harlem Teaser: The Documentary of The Year (and 1972) Arrives This October

Reviews

Disclosure Day Review: A Soul-Searching, Spine-Tingling Blockbuster Triumph

Tribeca Review: Ponderosa Takes Enigmatic, Comic Aim at America’s National Myths

Tribeca Review: The Revisionist Is a Comedy of Manners That Turns Convoluted

Features

NYC Weekend Watch: Italian History, Universal Westerns, Black Cops & More

Posterized June 2026: Maddie’s Secret, The Furious, Drunken Noodles & More

New to Streaming: Pillion, Is God Is, Erupcja, Omaha & More

Interviews

“The Hard Work Is In the Screenwriting”: John Sayles on Resourceful Filmmaking, James Cameron, and His TIFF Retrospective

The Currents Director Milagros Mumenthaler on Sensory Filmmaking, Motherhood, and Capturing an Internal State

“Making Movies Should Be a Pleasure”: Olivier Assayas on The Wizard of the Kremlin

Podcasts

The B-Sides of Goldie Hawn with Jen Johans

The B-Sides of Laurence Fishburne with Mitchell Beaupre

The B-Sides of Eddie Murphy with Nicholas Gray and Alvin Keith

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