The Film Stage - Page 850

NYFF Review: ‘Martin Eden’ Marks an Astonishing Step for Pietro Marcello

American novelist Jack London was an active proponent of socialism, his writing offering self-reflexive deconstructions of their values within distinct, incongr...

‘Harpoon’ Review: Aquatic Horror That Finds Authenticity Beneath the Gore

Writer/director Rob Grant wastes zero time getting us in the right frame of mind with Brett Gelman's perfectly sardonic voice narrating an auspiciously violent ...

‘Low Tide’ Review: Kevin McMullin’s Debut is an Effective if Familiar Thriller

Just because writer/director Kevin McMullin's debut feature Low Tide centers on a trio of locals stuck in a New Jersey banks vacation town and forced to watch r...

The Film Stage Show Ep. 366 – In the Shadow of the Moon

We discuss Jim Mickle's sci-fi murder mystery In the Shadow of the Moon, which is now on Netflix. ...

‘Judy’ Review: Renée Zellweger Powers Judy Garland Biopic

Growing up in a Catholic country where we were instructed to say our prayers each night before going to sleep, I always found myself dreading the moment when I ...

Watch: Martin Scorsese, Robert De Niro, Al Pacino & Joe Pesci on the Making of ‘The Irishman’

After being in the works for over a decade, Martin Scorsese's The Irishman finally premiered at the 57th New York Film Festival on Friday. Following the p...

NYFF Review: ‘The Irishman’ is an Eminently Enjoyable, Self-Reflexive Crime Epic

It’s a critical cliché to describe a filmmaker’s late-period output as elegiac, nostalgic, or any other adjective that suggests an aging artist grappling with t...

NYFF Review: ‘Oh Mercy!’ is a Ponderous Police Procedural from Arnaud Desplechin

When a filmmaker is well-known for reiterating certain narratives or themes, perhaps even having a specific character reappear to embody such ideas, unfamiliar ...

NYFF Review: In ‘First Cow,’ Kelly Reichardt Finds Generosity in an Otherwise Selfish Landscape

In First Cow, Kelly Reichardt carves out space for friendship and generosity amidst an otherwise selfish landscape. Set in the 1820s Pacific Northwest, a famili...

New to Streaming: ‘Midsommar,’ Christian Petzold, ‘Crawl,’ Lina Wertmüller, and More

All the newly streaming films of The Criterion Channel, Amazon, MUBI, and more....

News

Ryûsuke Hamaguchi’s Rare Touching the Skin of Eeriness Screens May 19

Exclusive Trailer for James N. Kienitz Wilkins’ The Misconceived, Set for May Release

Park Chan-wook to Direct Tang Wei, Matthew McConaughey, Austin Butler, and Pedro Pascal in The Brigands of Rattlecreek

Trailers

Time and Water Trailer: Sara Dosa’s Acclaimed Documentary Captures Life and Nature Slipping Away

Zach Cregger Returns in First Trailer for Resident Evil

Exclusive Trailer for James N. Kienitz Wilkins’ The Misconceived, Set for May Release

Reviews

Our Land (Nuestra Tierra) Review: Lucrecia Martel’s Essential Document of Indigenous Resistance

This is Not a Drill Review: A Sharp Portrait of Climate Activists Who Still Fight

The Last One for the Road Review: A Delightful Trip Through Italy

Features

Posterized May 2026: Renoir, I Love Boosters, Backrooms & More

New to Streaming: A Magnificent Life, Wuthering Heights, Stranger Eyes, An Unfinished Film & More

NYC Weekend Watch: Tony Leung, Bellissima, Whisper of the Heart & More

Interviews

Arnaud Desplechin on Two Pianos, Nervous Breakdowns, and Making Cinema Bigger Than Life

“Objectivity Is Not Possible”: Lucrecia Martel on Crafting Her First Documentary

“My Best Ideas Come To Me On Walks”: Sho Miyake on Two Seasons, Two Strangers

Podcasts

The B-Sides of Chow Yun-Fat

Josh Heaps on the DIY Horror of City Wide Fever

The B-Sides of Steve Martin with Eric D. Snider

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