The Film Stage - Page 85

The Hyperboreans Review: Cristóbal León and Joaquín Cociña’s Warning Against Political Amnesia

Note: This review was originally published as part of our 2024 Cannes coverage. The Hyperboreans is now streaming on Film Movement+. “We humans are capable ...

NYC Weekend Watch: Shiguéhiko Hasumi, New Rose Hotel, Bruce Baille, Vivre sa vie & More

NYC Weekend Watch is our weekly round-up of repertory offerings. Japan SocietyIn perhaps the best series of the year, Japanese teacher and critic Shiguéhiko...

New to Streaming: Cloud, Afternoons of Solitude, The Baltimorons, Lurker & More

Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past r...

Put Your Soul on Your Hand and Walk Trailer: One of 2025’s Most Heartbreaking Documentaries

One of the most heartbreaking documentaries of the year, Sepideh Farsi’s Put Your Soul On Your Hand and Walk premiered at Cannes just weeks after the Israeli o...

NYFF Review: In Stiller & Meara: Nothing is Lost, Ben Stiller Interrogates His Parents’ Life and Careers

About halfway through his sentimental and ruminative documentary Stiller & Meara: Nothing is Lost, director Ben Stiller reveals that his parents––actors Je...

Ronan Day-Lewis on Bringing Daniel Day-Lewis Back to Cinema with Anemone

One October after Lebron and Bronny James made history as the first father-son duo to play on the same NBA team, Daniel Day-Lewis has come out of retirement to...

Father Mother Sister Brother Trailer: Jim Jarmusch’s Golden Lion Winner Arrives This Christmas

Premiering at the Venice Film Festival where it picked up the well-deserved Golden Lion, Jim Jarmusch's Father Mother Sister Brother is one of the loveliest, m...

The Perfect Neighbor Review: A Harrowing Indictment of Stand-Your-Ground Laws

Note: This review was originally published as part of our 2025 Sundance coverage. The Perfect Neighbor arrives in theaters on October 10 and on Netflix on Octo...

Roofman Review: Derek Cianfrance Succesfully Navigates a Tricky Tonal Balance

Note: This review was originally published as part of our 2025 TIFF coverage. Roofman arrives in theaters on October 10. Derek Cianfrance’s place in the cur...

Urchin Review: A Thoughtful and Adventurous Directorial Debut from Harris Dickinson

Note: This review was originally published as part of our 2025 Cannes coverage. Urchin arrives in theaters on October 10. A few scenes into Urchin, we take ...

News

The Criterion Collection’s October Lineup Features The Silence of the Lambs and Guillermo del Toro’s Frankenstein on 4K, Jerzy Skolimowski, and Samuel Fuller

Locarno Film Festival Unveils 2026 Lineup

Eleanor Coppola’s Documentary on the Making of Sofia Coppola’s Marie Antoinette Is Coming Soon

Trailers

Filipiñana Trailer: Rafael Manuel’s Jia Zhangke-Backed Sundance Winner Opens This August

Domhnall Gleeson Encounters a Strange Land In First Trailer for The Incomer

Tony Gilroy Returns in First Trailer for Behemoth!

Reviews

The Odyssey Review: Christopher Nolan’s Journey of Perpetual, Enervating Awe

The Kidnapping of Arabella Review: Offbeat Italian Road Trip Comedy

Night Nurse Review: A Perverse, Seductive Thriller

Features

NYC Weekend Watch: The Hole, Electronica, Gakuryu Ishii, Nicholas Ray & More

The Best Movies Now Playing in Theaters

New to Streaming: The Furious, City Wide Fever, Amores Perros, Camp & More

Interviews

Tsai Ming-liang on the Personal Inspiration of The Hole, Constant Evolution, and His Next Films

“How Do You Make a Contemporary Erotic Thriller”: Georgia Bernstein on Night Nurse and Catherine Breillat

David Wain on the Hard Work of Making Dumb Jokes

Podcasts

Yasmina Tawil on Progamming Hou Hsiao-hsien, David Fincher, Tom Tykwer & More for BAM’s Electronica Series

The B-Sides of Julia Roberts with Joe Reid

The B-Sides of Steven Spielberg with Bilge Ebiri

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