The Film Stage - Page 788

Michael Mann Plans to Adapt His Heat Prequel Novel into a Film

Considering today's Hollywood seemingly has little room for adult-focused dramas that don't appeal to every quadrant, Michael Mann has had to find other ways t...

Tribeca Review: Ainu Mosir is a Beautifully Crafted Look at a Japanese Village’s Clash with Modernity

Set in the remote village of Ainu, a UNESCO World Heritage site that has been transformed into a tourist destination filled with shops and performances, Ainu M...

New to Streaming: Cannes Winners, Fourteen, Capone & More

With a seemingly endless amount of streaming options—not only the titles at our disposal, but services themselves–each week we highlight the noteworthy titles ...

Tribeca Review: Hydration Spends Virginia Beach Senior Week with Pharrell and Friends

Well-meaning but often repetitive, Hydration is a behind-the-scenes documentary exploring the inaugural year of the much-needed Something In The Water festival...

Luca Guadagnino to Direct Scarface Reboot Scripted by the Coens

After a streak of projects with A Bigger Splash, Call Me by Your Name, and Suspiria in the back half of the last decade, director Luca Guadagnino has taken his...

Russell Crowe to Star in Remake of Jacques Audiard’s A Prophet

Although Jacques Audiard was fairly well-known on the international circuit with The Beat That My Heart Skipped, it was his follow-up, the crime drama A Prophe...

Intermission Ep. 2 – Safe (with Caden Mark Gardner)

Hi there! Welcome back to Intermission, a spin-off podcast from The Film Stage Show. In a time when arthouse theaters are hurting more than ever and there are ...

Alice Review: SXSW Grand Jury Winner is a Suspenseful Exploration of Society’s Double Standards

It makes no sense. The night before saw Alice Ferrand's (Emilie Piponnier) husband François (Martin Swabey) going out of his way to passionately make-out with ...

Ottolenghi and the Cakes of Versailles Review: A Confectionary Comfort Watch

The choice of "medium" was easy for renowned chef Yotam Ottolenghi when asked by the Metropolitan Museum of Art to collaborate on their upcoming 2018 exhibitio...

Proximity Review: A Superficial, Shallow Sci-Fi Journey

There's a lot left unsaid within visual effects artist Eric Demeusy's directorial debut Proximity. While initially thinking it was a means to create mystery ar...

News

Japan Cuts Announces 2026 Slate Featuring Hirokazu Kore-eda, Gakuryu Ishii, Yoji Yamada & More

Alice Rohrwacher to Direct The Baron in the Trees; Next Film to Be Primarily Silent

Cristian Mungiu’s Fjord Wins Palme d’Or: See Full List of Cannes 2026 Winners

Trailers

Cemre Paksoy’s Hands Are Tied In Trailer for Georgia Bernstein’s Sinister Sundance Favorite Night Nurse

Marcello Mastroianni Yearns In Trailer for 4K Restoration of Luchino Visconti’s White Nights

Exclusive Trailer for Greg Vrotsos’ Feature Debut Situations Follows a Journey of Love and Ambition in Los Angeles

Reviews

The Death of Robin Hood Review: A Portrait of the Outlaw as a Bald-Faced Lie

Tribeca Review: Here I’m Alive Is a Raw, Intimate Look at Messy New York Lives

I Am Frankelda Review: Mexico’s First Stop-Motion Feature Speaks Truth to Power

Features

The Best Movies Now Playing in Theaters

NYC Weekend Watch: Douglas Sirk in 3D, The Organizer, Body Double & More

The Film Stage’s 2026 Tribeca Festival Portrait Gallery

Interviews

“The Hard Work Is In the Screenwriting”: John Sayles on Resourceful Filmmaking, James Cameron, and His TIFF Retrospective

The Currents Director Milagros Mumenthaler on Sensory Filmmaking, Motherhood, and Capturing an Internal State

“Making Movies Should Be a Pleasure”: Olivier Assayas on The Wizard of the Kremlin

Podcasts

The B-Sides of Goldie Hawn with Jen Johans

The B-Sides of Laurence Fishburne with Mitchell Beaupre

The B-Sides of Eddie Murphy with Nicholas Gray and Alvin Keith

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