Any professional dealing with routine levels of stress and trauma is bound to develop a morbid sense of humor–and the funny horror-comedy 12 Hour Shift might b...
The last film I saw in theaters before New York City quickly shut down was a New Directors/New Films press screening of Babyteeth, a vibrant, impressive direct...
Before a screening of Apichatpong Weerasethakul’s Cemetery of Splendour a few years ago at the New York Film Festival, programmer Dennis Lim read a note from t...
With those in the film industry having more time on their hands due to productions being suspended, a handful of people are not simply just binging The Criteri...
We're
introduced to Karen (Otmara Marrero) in bed as her older girlfriend D. (Sonya
Walger) wakes her. While the former wants to sleep in, the latter seeks
ins...
When
films like Rewind are presented as
exercises to reconstruct circumstances surrounding the sexual abuse its
filmmaker endured, you can assume the journey w...
We've been big on Dan Sallitt's Fourteen since its premiere at last year's Berlinale, calling it "an acutely observed and quietly expansive little film" about ...
During the press tour for Alfonso Cuarón's Gravity, a journalist asked the director what it was like to film in space, prompting a humorous reply. In the years...
When someone gets something stolen from them, there's the inherent assumption you may never get it back, much less have any reasonable communication with the p...
One of the notable films just about to announce its theatrical release plans before COVID-19 arrived was We Are Little Zombies, a Sundance hit last year where ...