The Film Stage - Page 62

Jeff Nichols Will Adapt Cormac McCarthy’s The Passenger and Stella Maris

When news broke last year of John Hillcoat adapting Blood Meridian, I had expressed some hope for similar treatment bestowed upon Cormac McCarthy's final novel...

Cannes Review: Jia Zhangke and Zhao Tao Speed Through 20 Years in Caught by the Tides

Jia Zhangke's is often a cinema of déjà vu: "We’re again in the northern Chinese city of Datong," Giovanni Marchini Camia wrote for Sight and Sound back in 201...

Cannes Review: Horizon: An American Saga – Chapter 1 Begins Kevin Costner’s Magnum Opus with Sweep and Grandeur

Scale, sweep, or schadenfreude; whatever you might be seeking in the films of Kevin Costner, you tend to walk away with the vistas. Think of the golden plains ...

Yorgos Lanthimos on the Caligula-Inspired Kinds of Kindness and Finding Hope in Humanity

Oh, to be one of the chosen. I guarantee this thought washes over every single person attending the Cannes Film Festival, at least at some point. It is a reali...

Cannes Review: Jacques Audiard’s Emilia Perez is an Audaciously Bad Dud

There’s a lot to look forward to in what has been branded a Mexican comedy-thriller musical from the Palme d’Or winner that brought us Dheepan, A Prophet, Rust...

Hayao Miyazaki Crafts The Boy and the Heron in First Trailer for Two-Hour Behind-the-Scenes Documentary

While much of the Cannes Classics lineup this year look far back in cinema history, a new documentary in the lineup captures a behind-the-scenes look at a rece...

Dakota Johnson Leads Tig Notaro’s Directorial Debut in First Trailer for Am I OK?

Premiering way back some 27 months ago at the 2022 Sundance Film Festival, we've been curious what happened to Tig Notaro and Stephanie Allynne’s directorial f...

Longlegs Trailer: Maika Monroe is Looking for Nicolas Cage in Mystery Thriller

In an era of marketing where most studios just drop a full-length trailer on YouTube and in theaters, hoping viewers will be impressed enough to buy tickets ev...

Cannes Review: Yorgos Lanthimos’ Kinds of Kindness is an Anthology Film of Dark if Slight Delights

This one is for the true Lanthimites, the Dogtooth sisters, the biscuit women, The Killing of a Sacred Deer heads, a film to which the callbacks are so abundan...

Cannes Review: Carson Lund’s Eephus is the Definitive Baseball Hangout Movie

If the perfect sports movie illuminates the fundamentals that make one fall in love with the game, there may be no better movie about baseball than Carson Lund...

News

Alice Winocour to Direct Angelina Jolie in Stitches

David Fincher’s Remastered Se7en Comes to IMAX to Kick Off 2025

Criterion Collection’s February 2025 Lineup Features Paul Thomas Anderson, Jean-Luc Godard, Crossing Delancey & More

Trailers

Barry Keoghan and Christopher Abbott Clash in First Teaser for Bring Them Down

Tatsuya Nakadai Goes on Cold-Blooded Mission in Exclusive Trailer for New Restoration of Hideo Gosha’s Cash Calls Hell

Nicole Kidman and Harris Dickinson Find Pleasure in New Trailer for Babygirl

Reviews

Allen Sunshine Review: A Tranquil Debut Feature with a World of Feeling

Gladiator II Review: Ridley Scott’s Sequel Bests Predecessor By Going Dumb

Riga Review: Dreamy Stereoscopic 3D Folk Tale Twittering Soul is One of a Kind

Features

Appreciating a Pioneer: Pittsburgh Celebrates Queer Local Filmmaker Roger Jacoby with World Premiere Restorations

New to Streaming: Megalopolis, Rumours, Look Into My Eyes, An Almost Christmas Story, and More

NYC Weekend Watch: The Limits of Control, Ealing Studios & More

Interviews

Payal Kapadia on All We Imagine as Light, Impermanence, Magical Realism, and Trilogy Plans

Barry Keoghan on Young Fatherhood, Loving La La Land, and the Movement of Andrea Arnold’s Bird

NYC Weekend Watch: Ken Kelsch, Il Grido, Flesh for Frankenstein 3D & More

Podcasts

The B-Side – Gwyneth Paltrow (with Cory Everett)

The B-Side – Vincent Price (with Gavin Mevius)

The B-Side – Tim Burton (with Maria Lewis)

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