The Film Stage - Page 63

Cannes Review: Oh, Canada Finds Paul Schrader Meditating on the Indignities of Dying

The cinema of Paul Schrader has always felt like a confessional, all those dark rooms and troubled men, the registered Swiftie's own tortured poets department....

Cannes Review: In Christmas Eve in Miller’s Point, Cinema and Family Beautifully Come Together

Writing on Martin Scorsese's Shutter Island in 2010, Anthony Lane whipped a quote from Umberto Eco: "Two cliches make us laugh but a hundred clichés move us, b...

Cannes Review: Francis Ford Coppola’s Megalopolis is a Garish Wonder to Behold

If you dove head first into Francis Ford Coppola’s Megalopolis, you would get a concussion. The filmmaker’s supposed opus––a glitzy, gargantuan, long-gestating...

Francis Ford Coppola on Having No Regrets with Megalopolis and the Films He’d Never Re-Edit

After batting around the mind of Francis Ford Coppola for nearly half-a-century, Megalopolis was bestowed upon the world yesterday at the Cannes Film Festival....

Pablo Larraín: Apichatpong Weerasethakul’s Films Make “Me Feel Less Lonely”

Launched last year by Wes Anderson's producing partners at Indian Paintbrush, GALERIE has emerged as a well-curated film club publishing unique selections of f...

Cannes Review: In Bird, Andrea Arnold’s Experiment in Magical Realism Rarely Takes Off

This year's Cannes competition began with a film set in a working-class environment where a young woman with a single mother dreamed of escaping it all through...

Watch Martin Scorsese’s Bleu de Chanel Ad Starring Timothée Chalamet

Martin Scorsese's latest directorial effort and first collaboration with Timothée Chalamet is upon us––it just happens to clock at 1/206th Killers of the Flowe...

Cannes Review: Josh Mond Returns With Vibey Down-and-Out Road Movie It Doesn’t Matter

The best festivals point to the future, capture the zeitgeist, or honor the past. At Locarno in 2015, you could have had all three: Ryusuke Hamaguchi's Happy H...

New to Streaming: Challengers, Chime, Sasquatch Sunset, Power & More

Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past r...

NYC Weekend Watch: Stanley Donen, Fassbinder, Man Ray & More

NYC Weekend Watch is our weekly round-up of repertory offerings. Roxy CinemaStanley Donen's Funny Face plays on Friday and Sunday, the latter day ...

News

Alice Winocour to Direct Angelina Jolie in Stitches

David Fincher’s Remastered Se7en Comes to IMAX to Kick Off 2025

Criterion Collection’s February 2025 Lineup Features Paul Thomas Anderson, Jean-Luc Godard, Crossing Delancey & More

Trailers

Barry Keoghan and Christopher Abbott Clash in First Teaser for Bring Them Down

Tatsuya Nakadai Goes on Cold-Blooded Mission in Exclusive Trailer for New Restoration of Hideo Gosha’s Cash Calls Hell

Nicole Kidman and Harris Dickinson Find Pleasure in New Trailer for Babygirl

Reviews

Allen Sunshine Review: A Tranquil Debut Feature with a World of Feeling

Gladiator II Review: Ridley Scott’s Sequel Bests Predecessor By Going Dumb

Riga Review: Dreamy Stereoscopic 3D Folk Tale Twittering Soul is One of a Kind

Features

Appreciating a Pioneer: Pittsburgh Celebrates Queer Local Filmmaker Roger Jacoby with World Premiere Restorations

New to Streaming: Megalopolis, Rumours, Look Into My Eyes, An Almost Christmas Story, and More

NYC Weekend Watch: The Limits of Control, Ealing Studios & More

Interviews

Payal Kapadia on All We Imagine as Light, Impermanence, Magical Realism, and Trilogy Plans

Barry Keoghan on Young Fatherhood, Loving La La Land, and the Movement of Andrea Arnold’s Bird

NYC Weekend Watch: Ken Kelsch, Il Grido, Flesh for Frankenstein 3D & More

Podcasts

The B-Side – Gwyneth Paltrow (with Cory Everett)

The B-Side – Vincent Price (with Gavin Mevius)

The B-Side – Tim Burton (with Maria Lewis)

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