The Film Stage - Page 58

Jesse Plemons Warns of Danger in New Trailer for Yorgos Lanthimos’ Kinds of Kindness

With Cannes Film Festival wrapped up, one of the first premieres to arrive in theaters is Yorgos Lanthimos' triptych Kinds of Kindness. Starring Cannes Best Ac...

Saved! at 20: Director Brian Dannelly Reflects on His Teenage Christian Comedy and Plans for a Sequel

It might be too on-the-nose to call Saved! a minor miracle of a movie, but how else would you describe Brian Dannelly’s faith-centric satire? Since it was rele...

Exclusive Trailer for Ana Guevara and Leticia Jorge’s Don’t You Let Me Go, Premiering at Tribeca 2024

With Cannes now wrapped up, the next film festival on our radar is Tribeca, which runs its 23rd edition from June 5 to 16. One film we're looking forward to is...

Cannes Review: All We Imagine as Light is a Drama of Profound Beauty

“Everyone has at least one person in Mumbai.” “There’s work and money in Mumbai. Who would want to go back?” “You better get used to the impermanence.” Like po...

Watch Two Exclusive Clips from The All Golden, Playing Wednesday at the Roxy Cinema

When friend and Film Stage contributor Ethan Vestby suggested I watch Nate Wilson's The All Golden, I did so with no expectations of what might follow. My enth...

Cannes Review: Misericordia is a Galvanizing Ode to the Power and Subversiveness of Desire

In a career spanning four decades and eight features, Alain Guiraudie has cemented himself as one of our most astute chroniclers of desire. If there’s any leit...

The Best Films of the 2024 Cannes Film Festival

The 76th edition of the Cannes Film Festival has now concluded, with Sean Baker's Anora taking home the Palme d'Or. While our coverage will continue with a few...

Cannes Review: It’s Not Me Finds Leos Carax Reflecting on 40 Years of Filmmaking with No Nostalgia

Headlines read, "Leos Carax Bring Back Baby Annette to the Croisette," but this is only half the truth. Yes, the legendary puppet makes a comeback in C’est Pas...

Cannes Review: Filmlovers! is Arnaud Desplechin’s Refined Ode to Cinema

For his tenth Cannes feature premiere, Arnaud Desplechin chose to present a docu-fictional love letter to cinema. Two years after Brother and Sister was in Com...

Cannes Review: The Balconettes is Noémie Merlant’s Self-Assured Take on Comedy-Horror

The chic balconies of Marseille certainly offer an image that is photogenic enough to open Noémie Merlant’s sophomore feature, The Balconettes, especially as s...

News

Tilda Swinton Says The Room Next Door May Be Her Last Film as New Trailer Arrives

Martin Scorsese Praises I Saw the TV Glow, Reveals Plans for Next Films

First Look at Lynne Ramsay’s Die, My Love Featuring Jennifer Lawrence and Robert Pattinson

Trailers

Pamela Anderson is The Last Showgirl in First Trailer for Gia Coppola’s Drama

Exclusive U.S. Trailer for Endless Summer Syndrome Unveils Provocative French Drama

Beatles ’64 Trailer: Martin Scorsese Captures the Band’s First Visit to America

Reviews

Allen Sunshine Review: A Tranquil Debut Feature with a World of Feeling

Gladiator II Review: Ridley Scott’s Sequel Bests Predecessor By Going Dumb

Riga Review: Dreamy Stereoscopic 3D Folk Tale Twittering Soul is One of a Kind

Features

New to Streaming: Megalopolis, Rumours, Look Into My Eyes, An Almost Christmas Story, and More

NYC Weekend Watch: The Limits of Control, Ealing Studios & More

The Best Movies Now Playing in Theaters

Interviews

Payal Kapadia on All We Imagine as Light, Impermanence, Magical Realism, and Trilogy Plans

Barry Keoghan on Young Fatherhood, Loving La La Land, and the Movement of Andrea Arnold’s Bird

NYC Weekend Watch: Ken Kelsch, Il Grido, Flesh for Frankenstein 3D & More

Podcasts

The B-Side – Gwyneth Paltrow (with Cory Everett)

The B-Side – Vincent Price (with Gavin Mevius)

The B-Side – Tim Burton (with Maria Lewis)

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