Last fall, we were remarking how prolific Zhang Yimou's recent streak has been, embarking on production on his fifth film in just two years. The only question ...
I should have known better considering I've seen two Alan Yuen films before: a directorial effort in Firestorm that forgets its unwavering severity in the thir...
After appearing in films from Stanley Kubrick, Nicole Holofcener, Jan de Bont, and more, Todd Field directed two of the most acclaimed films of this young cent...
It's rare for the best film of the year to actually get recognition from the Academy, but this year they got at least one thing right by nominating Garrett Bra...
Along with celebrating his 60th birthday during quarantine, Arnaud Desplechin has kept quite busy. Following up his crime procedural Oh Mercy! (still, sadly, w...
While he earned acclaim with Lost and Beautiful, The Mouth of the Wolf, and more, Pietro Marcello received a much-deserved breakthrough with his astounding, te...
Following up the stellar Happy Hour and Asako I & II, Ryūsuke Hamaguchi's streak continued last month with the premiere of his latest film, the triptych Wh...
One of the great franchises of the previous decade––including the rare one where the second film improves upon its predecessor––there are sadly no plans for Ma...
It's comforting to see the words "bizarre" and "absurd" in the press notes and director's statement for Devereux Milburn's Honeydew because they prove that he ...
The Power, Corinna Faith’s haunted hospital creeper, hinges on such a richly atmospheric historical context that it’s a wonder it hasn’t been used as the backd...