The Film Stage - Page 475

Wes Anderson to Shoot Next Film in Spain This Summer

With Wes Anderson's The French Dispatch finally confirmed to world premiere at Cannes Film Festival (who have delayed their full selection announcement to June...

New to Streaming: The Underground Railroad, Oxygen, There Is No Evil, The Killing of Two Lovers & More

With a seemingly endless amount of streaming options—not only the titles at our disposal, but services themselves–each week we highlight the noteworthy titles ...

Those Who Wish Me Dead Review: Taylor Sheridan’s Fire-Fighting Crime Drama is Enjoyably Nonsensical

Reaffirming Angelina Jolie’s interest in efficient action storytelling, co-writer/director Taylor Sheridan’s Those Who Wish Me Dead, adapted from Michael Koryt...

NYC Weekend Watch: Wong Kar Wai, La Piscine, Vertigo & More

After a 14-month hiatus as theaters in New York City and beyond closed their doors during the pandemic, we're delighted to announce the return of NYC Weekend W...

The Woman in the Window Review: Joe Wright’s Throwback Potboiler is an Unsatisfying Hodgepodge

Perhaps the most clever idea in this prestigious throwback to potboilers of yore, The Woman in the Window, is how it upends the bourgeois escapism of most thri...

Army of the Dead Review: Zack Snyder Indulges in the Best and Worst of the Zombie Genre

It seems strange to call a Zack Snyder movie nostalgic. Over the last decade the director has spent all his energy operating within the superhero industrial co...

Chloë Sevigny and Eleanor Friedberger Open a World of Menace and Music in Trailer for Slow Machine

An out-of-the-blue surprise from last year's festival circuit, Slow Machine is a simmering thriller, Rivettian game of shifting identity, musical documentary, ...

The Perfect Candidate Review: Haifaa Al-Mansour Examines Misogyny in Saudi Arabia with Political Crowdpleaser

A lot has changed in Saudi Arabia since Haifaa Al-Mansour last made a film in her home country. Wadjda, Al-Mansour’s 2012 debut, was the first feature shot ent...

Edgar Wright & Company Celebrate The Sparks Brothers in First Trailer

Few documentaries exude as much love and care for their subject as Edgar Wright's first non-fiction film, The Sparks Brothers. Following the overlooked yet hug...

The B-Side – Alan J. Pakula (with Blake Howard)

Welcome to The B-Side, from The Film Stage. Here we talk about filmmakers! Not the movies that made them famous or kept them famous, but the ones that they mad...

News

Bertand Bonello, Takashi Miike, Nikyatu Jusu, and More Plan Next Features

James Gray to Direct Adam Driver, Jeremy Strong, and Anne Hathaway in Paper Tiger

Tarsem Singh, Jaume Collet-Serra, Kim Jee-woon, Paul W.S. Anderson & More Set Next Films

Trailers

The End Trailer: Tilda Swinton, Michael Shannon, and George MacKay Ring in the Apocalypse

Michel Gondry Returns to Animation in First Trailer for Maya, Give Me a Title

Steven Soderbergh Tells a Ghost Story in New Trailer for Presence

Reviews

AFI Fest Review: September 5 is a Competent But Bloodless Thriller

AFI Review: Vermiglio Paints a Lyrical Portrait of Desires Constrained by Catholicism

Paddington in Peru Review: Threequel Fails to Climb to Franchise Heights

Features

Tokyo International Film Festival Artistic Director Ichiyama Shôzô Offers Insight Into a Growing Organization

Posterized November 2024: A Traveler’s Needs, Queer, Flow, Bird & More

New to Streaming: Catherine Breillat, The Substance, Last Things, The Apprentice, and More

Interviews

Kani Kusruti on All We Imagine as Light, Girls Will Be Girls, and Indian Moviegoing Culture

“Less Money, More Liberty”: Paulo Branco on a Cinematic Life with David Cronenberg, Manoel De Oliveira, and Raúl Ruiz

“Nobody Ever Gave Me Anything”: Alan Rudolph on Robert Altman, Bruce Willis, Kurt Vonnegut, and Resurrecting Breakfast of Champions

Podcasts

The B-Side – Vincent Price (with Gavin Mevius)

The B-Side – Tim Burton (with Maria Lewis)

The Film Stage Show Farewell Episode – Megalopolis

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