The Film Stage - Page 472

You’re Being Watched in Exclusive Poster for Theo Anthony’s All Light, Everywhere

Next week my favorite documentary of the year thus far, Theo Anthony's Rat Film follow-up All Light, Everywhere, will arrive. It's a fascinating exploration co...

Go Behind the Scenes of Alex Garland’s Men as Filming Wraps

With a production that ended as quietly as it began, Alex Garland has followed up Ex Machina and Annihilation with Men, a smaller-scale horror starring Jessie ...

Some of Our Stallions Trailer: Silicon Valley Writer Carson Mell Crafts a Madcap Buddy Film

After writing for Silicon Valley and Eastbound and Down, as well as scripting The Long Dumb Road, Carson Mell has written, directed, and starred in a new featu...

Saul Williams Navigates the Criminal Underworld of Toronto in First Trailer for Akilla’s Escape

A premiere at last year's Toronto International Film Festival, Charles Officer's latest feature Akilla's Escape follows poet, musician, and actor Saul Williams...

John Magaro Reteams with Kelly Reichardt for Showing Up

Named the best film of 2020 here on The Film Stage, Kelly Reichardt's quietly stunning First Cow deserved more attention during awards season but like the rest...

In the Heights Review: A Joyous Musical Adaptation With Only a Few Missteps

There’s a casual decadence to the films of Jon M. Chu, an energy about them that is irresistible to watch. Whether the director is indulging in absurd magic tr...

Final Account Review: A Hushed Tour of Germany’s Last Witnesses to Genocide Proves the Past is Not So Distant

The Holocaust is one of the most exhaustively documented events in history, yet it can seemingly never be documented enough. This is not only due to the relent...

New to Streaming: Spring Blossom, Army of the Dead, Riders of Justice, and More

Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week's selections below and past r...

Seance Review: Simon Barrett’s Directorial Debut is a Surprisingly Joyless Slasher

When a new low-budget horror film copies Jessica Harper’s car-bound arrival from the original Suspiria within its first ten minutes, one knows instantly what t...

NYC Weekend Watch: Two-Lane Blacktop, The Amusement Park, The Fabulous Baker Boys & More

After a hiatus as theaters in New York City and beyond closed their doors during the pandemic, we're delighted to announce the return of NYC Weekend Watch, our...

News

Bertand Bonello, Takashi Miike, Nikyatu Jusu, and More Plan Next Features

James Gray to Direct Adam Driver, Jeremy Strong, and Anne Hathaway in Paper Tiger

Tarsem Singh, Jaume Collet-Serra, Kim Jee-woon, Paul W.S. Anderson & More Set Next Films

Trailers

The End Trailer: Tilda Swinton, Michael Shannon, and George MacKay Ring in the Apocalypse

Michel Gondry Returns to Animation in First Trailer for Maya, Give Me a Title

Steven Soderbergh Tells a Ghost Story in New Trailer for Presence

Reviews

AFI Fest Review: September 5 is a Competent But Bloodless Thriller

AFI Review: Vermiglio Paints a Lyrical Portrait of Desires Constrained by Catholicism

Paddington in Peru Review: Threequel Fails to Climb to Franchise Heights

Features

Tokyo International Film Festival Artistic Director Ichiyama Shôzô Offers Insight Into a Growing Organization

Posterized November 2024: A Traveler’s Needs, Queer, Flow, Bird & More

New to Streaming: Catherine Breillat, The Substance, Last Things, The Apprentice, and More

Interviews

Kani Kusruti on All We Imagine as Light, Girls Will Be Girls, and Indian Moviegoing Culture

“Less Money, More Liberty”: Paulo Branco on a Cinematic Life with David Cronenberg, Manoel De Oliveira, and Raúl Ruiz

“Nobody Ever Gave Me Anything”: Alan Rudolph on Robert Altman, Bruce Willis, Kurt Vonnegut, and Resurrecting Breakfast of Champions

Podcasts

The B-Side – Vincent Price (with Gavin Mevius)

The B-Side – Tim Burton (with Maria Lewis)

The Film Stage Show Farewell Episode – Megalopolis

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