The Film Stage - Page 460

First Trailer for How It Ends Takes a Cameo-Filled Apocalyptic Journey Through LA

Produced, written, and directed by Daryl Wein and Zoe Lister-Jones, How It Ends was born out of the lockdown we've found ourselves in the past year-plus. The S...

Mark Wahlberg Takes a Noble Journey in First Trailer for Reinaldo Marcus Green’s Joe Bell

After emerging on the scene with Monsters and Men, director Reinaldo Marcus Green is gearing up for a major year. Following a TIFF premiere, his Mark Wahlberg...

First Trailer for Miguel Gomes & Maureen Fazendeiro’s Cannes-Bound The Tsugua Diaries

It's now been over half a decade since we've last seen a feature from Miguel Gomes––his epic three-part adaptation of Arabian Nights––and while the Lisbon-born...

Sweet Thing Review: A Tender, Sensational Family Affair from Alexandre Rockwell

Alexandre Rockwell’s Sweet Thing could be pulled from any era. Shot in striking 16mm black-and-white, the coming-of-age film—Rockwell’s first feature since 201...

MUBI Unveils July 2021 Lineup

Next month's MUBI lineup has been unveiled and if you can't make it to Cannes Film Festival, they are spotlighting recent favorites from the event. As part of ...

New to Streaming: Siberia, Luca, Sweet Thing, Les nôtres & More

Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week's selections below and past r...

First Teaser for Terrence Malick-Backed VR Project Evolver-Prologue, Scored by Jonny Greenwood

While Terrence Malick toils away in the editing room on his much-anticipated The Way of the Wind, he's found time to back a few other projects. Following the g...

Tribeca Review: The Beta Test Works Better as Comedic Commentary Than Thriller

Jim Cummings has become something of an indie film wunderkind, making low-budget, critically-acclaimed projects that hit festivals and reach the depths of Film...

NYC Weekend Watch: Juneteenth, Muhammad Ali, The American Friend & More

After a hiatus as theaters in New York City and beyond closed their doors during the pandemic, we're delighted to announce the return of NYC Weekend Watch, our...

Edgar Wright & Sparks on Capturing the Evolution of a 50-Year Career

If your typical conversation with a Sparks devotee is fannish evangelizing about why you must hear this album and that album is better than its non-existent re...

News

James Gray to Direct Adam Driver, Jeremy Strong, and Anne Hathaway in Paper Tiger

Tarsem Singh, Jaume Collet-Serra, Kim Jee-woon, Paul W.S. Anderson & More Set Next Films

Metrograph Launches Print Publication with Inaugural Issue Featuring Ryusuke Hamaguchi, Clint Eastwood, Ari Aster & More

Trailers

Michel Gondry Returns to Animation in First Trailer for Maya, Give Me a Title

Steven Soderbergh Tells a Ghost Story in New Trailer for Presence

Exclusive Trailer for Jōhatsu, a Lithuanian Thriller Exploring a Japanese Phenomenon

Reviews

Juror #2 Review: Courtroom Thriller Represents the Best from Clint Eastwood’s Late Era

The Graduates Review: A Melancholic Look at a Community Bonded by Tragedy

AFI Fest Review: Robert Zemeckis’ Here Plays Like the Anti-Boyhood

Features

Tokyo International Film Festival Artistic Director Ichiyama Shôzô Offers Insight Into a Growing Organization

Posterized November 2024: A Traveler’s Needs, Queer, Flow, Bird & More

New to Streaming: Catherine Breillat, The Substance, Last Things, The Apprentice, and More

Interviews

“Nobody Ever Gave Me Anything”: Alan Rudolph on Robert Altman, Bruce Willis, Kurt Vonnegut, and Resurrecting Breakfast of Champions

Soundtrack to a Coup d’Etat Director Johan Grimonprez on a Jazz-Fueled, Kaleidoscopic Vision of Displaced Blackness

The Making of the Indian Sci-Fi Box-Office Sensation Kalki 2898 AD

Podcasts

The B-Side – Vincent Price (with Gavin Mevius)

The B-Side – Tim Burton (with Maria Lewis)

The Film Stage Show Farewell Episode – Megalopolis

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