The Film Stage - Page 448

Lorelei Review: Jena Malone and Pablo Schreiber Seek Salvation in Emotional Drama

They had a plan. Wayland (Pablo Schreiber) would make as much money as he could running drugs for his local motorcycle club until he and high school sweetheart...

Venice Film Festival 2021 Lineup Includes New Films by Jane Campion, Paul Schrader, Ana Lily Amirpour & More

Taking place September 1 through 11, the Venice Film Festival has now unveiled its lineup, after a few teases of what it contains (the opening night selection ...

Paris, 13th District Review: Jacques Audiard Weaves a Zestful Yet Underwhelming Tapestry

There is no such thing as a typical Jacques Audiard film. Take his last three as examples: in 2012 he captured the trauma-induced romance between a wayfaring f...

Andrea Arnold on Capturing Cow, Bovine Beauty, and the Brutality of Nature

After a grueling experience with HBO's Big Little Lies, Andrea Arnold returns with her first film in five years. Positioned somewhere in the world of documenta...

Cannes Review: Queer Palm Winner The Divide is Heavy-Handed Look at Recent French History

Anybody who thinks writers who use subtext are cowards will find plenty to admire in The Divide. Taking place over the course of one night, Catherine Corsini's...

The Film Stage Show Ep. 437 – No Sudden Move (with Vikram Murthi)

Welcome, one and all, to the latest episode of The Film Stage Show! Today, Brian Roan, Bill Graham, and Robyn Bahr are joined by Vikram Murthi to discuss Steve...

Cannes Review: A Chiara Enthrallingly Concludes Jonas Carpignano’s Calabrian Trilogy

Writer-director Jonas Carpignano completes his Calabrian trilogy with A Chiara, an enthralling drama about a teenage girl coming to terms with her family’s rol...

New to Streaming: Zola, Sweat, Mandibles, The Empty Man & More

Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week's selections below and past r...

NYC Weekend Watch: To Have and Have Not, Jia Zhangke, Céline and Julie & More

Film Forum The huge Humphrey Bogart series continues, as do Le Cercle Rouge, La Piscine, and Blue Collar. Museum of the Moving Image 2001 plays on Sun...

Oliver Stone on Revisiting JFK’s Assassination and the Government’s Control Over Media

In 1991, Oliver Stone re-opened America’s deepest wound with JFK, a rousing, star-studded, 189-minute account of New Orleans District Attorney Jim Garrison’s i...

News

Criterion Collection’s February 2025 Lineup Features Paul Thomas Anderson, Jean-Luc Godard, Crossing Delancey & More

Exclusive: New Restoration of Queer Drama By Hook or By Crook Acquired by Altered Innocence for Spring 2025 Release

Tilda Swinton Says The Room Next Door May Be Her Last Film as New Trailer Arrives

Trailers

Pamela Anderson is The Last Showgirl in First Trailer for Gia Coppola’s Drama

Exclusive U.S. Trailer for Endless Summer Syndrome Unveils Provocative French Drama

Beatles ’64 Trailer: Martin Scorsese Captures the Band’s First Visit to America

Reviews

Allen Sunshine Review: A Tranquil Debut Feature with a World of Feeling

Gladiator II Review: Ridley Scott’s Sequel Bests Predecessor By Going Dumb

Riga Review: Dreamy Stereoscopic 3D Folk Tale Twittering Soul is One of a Kind

Features

New to Streaming: Megalopolis, Rumours, Look Into My Eyes, An Almost Christmas Story, and More

NYC Weekend Watch: The Limits of Control, Ealing Studios & More

The Best Movies Now Playing in Theaters

Interviews

Payal Kapadia on All We Imagine as Light, Impermanence, Magical Realism, and Trilogy Plans

Barry Keoghan on Young Fatherhood, Loving La La Land, and the Movement of Andrea Arnold’s Bird

NYC Weekend Watch: Ken Kelsch, Il Grido, Flesh for Frankenstein 3D & More

Podcasts

The B-Side – Gwyneth Paltrow (with Cory Everett)

The B-Side – Vincent Price (with Gavin Mevius)

The B-Side – Tim Burton (with Maria Lewis)

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