While our massive, 50-film fall preview will give you an overview of what we're looking forward to for the next four months, we'll still be diving deeper in ou...
Cross your fingers so hard they break. Though reading about Megalopolis by now counts as some esoteric form of masochism, there is hope (more than two years si...
One of the most powerful, well-acted movies from this year's Sundance Film Festival was the directorial debut of The Cabin in the Woods star Fran Kranz. Mass, ...
Before you ask, no: not another Before film. Julie Delpy's tried to clear that up—much as I suspect she's literally lying and another film's already been shot—...
In I Don’t Hate Las Vegas Anymore, he tried and failed to convince his father and half-brother to do ecstasy with him in a hotel room. In I Am A Sex Addict, he...
If one digs deeper than the Dunes and Spencers of the Venice International Film Festival lineup, a number of promising gems await. One that certainly has our e...
Good news: Todd Haynes' first feature-length doc is not a wash. Our review of The Velvet Underground, which concerns the history of , promises a film in keepin...
As we speak, a new David Cronenberg film is in production, marking the Canadian master's long-awaited return after 2014's Maps to the Stars. Crimes of the Futu...
Earlier this year we got the long-awaited news that Todd Field was, in fact, embarking on his first feature film in 15 years after a handful of projects in dev...
After a hiatus where New York’s theaters closed during the pandemic, we’re delighted to announce the return of NYC Weekend Watch, our weekly round-up of repert...