There’s no better form of getting over a dead parent or spouse than combatting a killer animal. At least that’s the thesis of The Shallows, Crawl, and now Beas...
A highlight of last year's festival circuit, Aly Muritaba's Private Desert is the bracing story of a suspended police officer who searches for his online love,...
Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past r...
NYC Weekend Watch is our weekly round-up of repertory offerings.
Film at Lincoln Center
As the 4K restoration of Keane opens (read our interview with Lod...
Often a re-release is granted to some long-cherished classic or cult sensation. In the case of Lodge Kerrigan’s Keane, which played the festival circuit throug...
The few people bobbing up in Ana Vaz’s It Is Night in America are anonymous ciphers, their faces scarcely (if at all) visible, protruding limbs or silhouettes ...
Following the Main Slate and Spotlight announcements, the 60th New York Film Festival has unveiled its Currents section. The slate of boundary-pushing work fea...
A radically defiant artist, Iranian director Jafar Panahi has been making some of the most vital––both artistically and politically––works of the last three de...
Welcome, one and all, to the latest episode of The Film Stage Show! Today, Brian Roan, Bill Graham, and Robyn Bahr are joined by Isaac Feldberg to discuss Andr...
One of the most viscerally affecting films coming out of Sundance Film Festival this year was Christian Tafdrup's Speak No Evil. Following a family who accepts...