Mike Mills could be described as a graphic designer. Or a musician. Or a music-video director. He’s a frequent collaborator of The National, directing a short ...
The concept behind Kyoshi Sugita’s Haruhara-san’s Recorder is resembling the structure of the Naoko Higashi poem on which it's based. Said poem, a tanka, is in...
Ted Fendt’s Outside Noise is largely noiseless. Without background music, following the lives of three women traveling back and forth between Vienna and Berlin...
Watch a replay of the show below.
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We’re excited to announce that Cinephile Game Night will ...
Welcome, one and all, to the latest episode of The Film Stage Show! Today, Brian Roan, Bill Graham, and Robyn Bahr are joined by Dan Fienberg to discuss Alan T...
Jimmy Ray (Jason Sudeikis) is 12 years into a 15-year prison stint for armed robbery. He pled guilty, so there's no "you got the wrong guy" play up his sleeve ...
In summer 2020, faced with the unenviable choice between canceling and going virtual—which was never really an option, given its longstanding anti-streaming st...
Ryusuke Hamaguchi, Hong Sangsoo, Zack Snyder, and Edgar Wright aren't the only directors with two films arriving this year. Joe Wright, whose delayed drama The...
Following screenings at the Berlin International Film Festival, Art of the Real, Cinéma du Réel, and more, Cinema Guild will release Joshua Bonnetta’s hypnotic...
In what will surely be his most divisive––and in my opinion, best––film, Sean Baker is back with Red Rocket. Giving one of the year's finest performances, Simo...