The Film Stage

First Look at Martin Scorsese’s What Happens at Night Starring Leonardo DiCaprio and Jennifer Lawrence

Nearly three years after the Cannes premiere of Killers of the Flower Moon, Martin Scorsese has now embarked on shooting his next feature. Production began las...

“The Movie Is More Intelligent Than I”: Christian Petzold on Miroirs No. 3

I’ve done interviews in many settings: multiplexes, screening rooms, green rooms, distributor offices, post houses, cafés, hotels—many hotels—or whatever space...

NYC Weekend Watch: Godard and Lewis, Hou Hsiao-hsien, The Man Who Shot Liberty Valance & More

NYC Weekend Watch is our weekly round-up of repertory offerings. Anthology Film ArchivesMetaphysics of the Pratfall pairs films (many on 35mm) by Jean-Luc G...

“Every Single Day Was a Nightmare”: Annemarie Jacir on the Past and Present of Palestine 36

Note: This interview was originally published as part of our 2025 festival coverage. The film opens in theaters on March 20. Few films of late have better p...

Wild Horse Nine Trailer: John Malkovich and Sam Rockwell Lead Martin McDonagh’s Dark Comedy

Following up 2022's The Banshees of Inisherin, Martin McDonagh is returning with John Malkovich, Sam Rockwell, Steve Buscemi, Mariana di Girolamo, Ailín Salas,...

Late Shift Review: A Highly Intense, Single-Minded Procedural

Leonie Benesch can’t catch a break. After being put through the wringer contending with the intense demands of the school system in the Academy Award-nominated...

Miroirs No. 3 Review: Christian Petzold’s Enigmatic Drama About Letting Go

Note: This review was originally published as part of our 2025 Cannes coverage. The film opens in theaters on March 20. Christian Petzold’s fifteenth featur...

Two Prosecutors Review: Sergei Loznitsa’s Drama Feels Eerily Attuned to Our Post-Truth World

Note: This review was originally published as part of our 2025 Cannes coverage. The film opens in theaters on March 20. When Donbass arrived in 2018, sandwi...

Marc by Sofia Review: An Agreeable Documentary Portrait Lacking Intimacy

Note: This review was originally published as part of our 2025 Venice coverage. The film opens in theaters on March 20. Sofia Coppola, Marc Jacobs, and 30 y...

Palestine 36 Review: Period Epic Offers Great Breadth of Knowledge and History

Note: This review was originally published as part of our 2025 TIFF coverage. The film opens in theaters on March 20. You almost believe Amir (Dhafer L'Abid...

News

Watch: Brady Corbet Directs Robert Pattinson in 1664 Commercial, Shot by Lol Crawley

Exclusive New Stills From Carla Simón’s Romería as Janus Films Sets June Release

MoMI Unveils First Look 2026 Lineup

Trailers

Blue Film Trailer: Controversial Camboy Thriller Arrives This May

First Teaser for Ryûsuke Hamaguchi’s All of a Sudden Starring Virginie Efira and Tao Okamoto

Arnaud Desplechin Finds the Music in U.S. Trailer for Two Pianos

Reviews

The Drama Review: Kristoffer Borgli’s Provocations Mask Greater Ignorance

The Stranger Review: François Ozon Finally Gives Albert Camus’ Novel Its Cinematic Due

The Blue Trail Review: A Lively Journey Down the Amazon River

Features

New to Streaming: My Undesirable Friends, Pillion, Avatar: Fire and Ash, Wuthering Heights & More

15 Films to See in April

New to Streaming: Nirvanna the Band the Show the Movie, Sirāt, Send Help, A Poet & More

Interviews

François Ozon on the Existentialism of The Stranger, Arab Representation, and Bressonian Acting

The Blue Trail Director Gabriel Mascaro on Coming-of-Age Inversion, Playful Dystopias, and Conservative Awakenings

Sinking into the Abyss: Nadav Lapid on Yes, the Collapse of Morality, and Beauty in Dance

Podcasts

The B-Sides of Spike Lee

Gabe Klinger on Finishing Movies, Navigating Festivals, and Isabel

The Academy Award Categories That No Longer Exist

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