The Film Stage - Page 397

Don’t Look Up Review: Adam McKay’s Satirical Doomsday Comedy Hits More Than Misses

Articulating why it’s easy to agree with writer-director Adam McKay’s politics while disliking his films isn’t so hard. Though a smart man who can hold his own...

M. Night Shyamalan Will Follow Old with Dave Bautista-Led Knock at the Cabin

Update: Speaking to JoBlo, Shyamalan revealed Knock at the Cabin will be "one continuous take." Original story is below. Old might not be M. Night Shyamalan...

Being the Ricardos Review: Aaron Sorkin’s Lucy and Desi Drama is Lifeless and Muddled

Taking place over the course of one chaotic week during the production of sitcom staple I Love Lucy, Aaron Sorkin’s Being the Ricardos spins more plates than i...

Download the 2021 Awards Season Screenplays

One of the few benefits of the awards race is Hollywood’s outpouring of materials associated with the contenders. Perhaps the biggest perk is the release of fu...

The Film Stage Show Ep. 454 – The Power of the Dog (with Charlie Nash)

Welcome, one and all, to the latest episode of The Film Stage Show! Today, Brian Roan, Bill Graham, and Robyn Bahr are joined by Charlie Nash to discuss Jane C...

New Trailer for The Matrix Resurrections Fuses Past and Present

Years of anticipation and months of micro-studying that trailer are winnowing down to a matter of weeks. Our expectations for The Matrix Resurrections are much...

Exclusive U.S. Trailer for Iuli Gerbase’s The Pink Cloud Presciently Examines a Relationship in Lockdown

While many filmmakers have been rushing to cinematically capture the feelings of isolation, despair, and all-around strangeness of the last year-and-a-half, Br...

Paul Verhoeven to Reteam with RoboCop & Starship Troopers Writer for Young Sinner

After a few pandemic-related delays, Paul Verhoeven's Benedetta finally premiered at Cannes earlier this year and, as of this past weekend, is in U.S. theaters...

DOC NYC Review: We Are Russia is an Immersive Look at an Impossible Political Protest

Despite having premiered in 2019 with some subsequent updates, Alexandra Dalsbaek's documentary We Are Russia still feels as if it is a work-in-progress beyond...

New to Streaming: The Power of the Dog, Azor, Alfred Hitchcock, The Last Duel, and More

Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week's selections below and past r...

News

David Fincher’s Remastered Se7en Comes to IMAX to Kick Off 2025

Criterion Collection’s February 2025 Lineup Features Paul Thomas Anderson, Jean-Luc Godard, Crossing Delancey & More

Exclusive: New Restoration of Queer Drama By Hook or By Crook Acquired by Altered Innocence for Spring 2025 Release

Trailers

Tatsuya Nakadai Goes on Cold-Blooded Mission in Exclusive Trailer for New Restoration of Hideo Gosha’s Cash Calls Hell

Nicole Kidman and Harris Dickinson Find Pleasure in New Trailer for Babygirl

Pamela Anderson is The Last Showgirl in First Trailer for Gia Coppola’s Drama

Reviews

Allen Sunshine Review: A Tranquil Debut Feature with a World of Feeling

Gladiator II Review: Ridley Scott’s Sequel Bests Predecessor By Going Dumb

Riga Review: Dreamy Stereoscopic 3D Folk Tale Twittering Soul is One of a Kind

Features

Appreciating a Pioneer: Pittsburgh Celebrates Queer Local Filmmaker Roger Jacoby with World Premiere Restorations

New to Streaming: Megalopolis, Rumours, Look Into My Eyes, An Almost Christmas Story, and More

NYC Weekend Watch: The Limits of Control, Ealing Studios & More

Interviews

Payal Kapadia on All We Imagine as Light, Impermanence, Magical Realism, and Trilogy Plans

Barry Keoghan on Young Fatherhood, Loving La La Land, and the Movement of Andrea Arnold’s Bird

NYC Weekend Watch: Ken Kelsch, Il Grido, Flesh for Frankenstein 3D & More

Podcasts

The B-Side – Gwyneth Paltrow (with Cory Everett)

The B-Side – Vincent Price (with Gavin Mevius)

The B-Side – Tim Burton (with Maria Lewis)

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