The Film Stage - Page 382

Penélope Cruz Guides Her Trans Son in U.S. Trailer for Acclaimed Drama L’immensità

A selection at Venice Film Festival and Sundance Film Festival, Emanuele Crialese's 1970s-set drama L’immensità follows Clara (Penélope Cruz) and her emotional...

To Catch a Killer Review: Damian Szifron’s Crime Procedural is Torn Between Genre Requirements and Loftier Aspirations

To Catch a Killer’s logline is about as familiar as its title: a rookie cop with a detective's intelligence and drive, Eleanor Falco (Shailene Woodley) finds h...

Nathan Lane on His Interpretation of Beau Is Afraid, Disagreeing with Ari Aster, and Making Joaquin Phoenix Laugh

Among the strange cast of characters Beau (Joaquin Phoenix) meets on his nightmarish journey through the mind of Ari Aster, perhaps the most memorable is Natha...

György Fehér’s Twilight, a Hungarian Noir Masterpiece, Gets Restored

Upon completing duties as a debut screenwriter, Friedrich Dürrenmatt celebrated a job well done by promptly rewriting the whole thing. The Swiss playwright and...

U.S. Trailer for Ashley McKenzie’s Acclaimed Queer Coming-of-Age Drama Queens of the Qing Dynasty

One of the films we hoped would get distribution at the start of the year was Ashley McKenzie's Werewolf follow-up Queens of the Qing Dynasty, a selection at B...

Guy Ritchie’s The Covenant Review: Dar Salim Shines in Military Action Throwback

What can one say about the career of Guy Ritchie? The guy was nearly as essential to the rejuvenation of the British film scene in the '90s as Danny Boyle. His...

Trenque Lauquen Director Laura Citarella on Crafting an Ever-Changing Epic and Being Inspired by Agnès Varda

Argentinian writer-director Laura Citarella, part of the film collective El Pampero Cine responsible for such monumental work as La Flor, presented her third f...

The Film Stage & Bleeding Edge Present the Toronto Premiere of Bertrand Bonello’s Coma This May

Few––I mean one or two––films from last year were equal to Bertrand Bonello's Coma. It also never got a theatrical release. Though I'd try offering some explan...

Cannes Directors’ Fortnight 2023 Features New Films by Hong Sangsoo, Michel Gondry, Sean Price Williams & More

After Cannes Film Festival announced its main lineup last week, the Directors' Fortnight and Critics' Week sidebars have unveiled their slates. Now in its 55th...

The Film Stage Show Ep. 503 – The Super Mario Bros. Movie (with Valerie Ettenhofer)

Welcome, one and all, to the latest episode of The Film Stage Show! Today, The B-Side host Conor O'Donnell joins Robyn Bahr, Bill Graham, and special guest Val...

News

The Criterion Collection’s October Lineup Features The Silence of the Lambs and Guillermo del Toro’s Frankenstein on 4K, Jerzy Skolimowski, and Samuel Fuller

Locarno Film Festival Unveils 2026 Lineup

Eleanor Coppola’s Documentary on the Making of Sofia Coppola’s Marie Antoinette Is Coming Soon

Trailers

Filipiñana Trailer: Rafael Manuel’s Jia Zhangke-Backed Sundance Winner Opens This August

Domhnall Gleeson Encounters a Strange Land In First Trailer for The Incomer

Tony Gilroy Returns in First Trailer for Behemoth!

Reviews

The Odyssey Review: Christopher Nolan’s Journey of Perpetual, Enervating Awe

The Kidnapping of Arabella Review: Offbeat Italian Road Trip Comedy

Night Nurse Review: A Perverse, Seductive Thriller

Features

NYC Weekend Watch: The Hole, Electronica, Gakuryu Ishii, Nicholas Ray & More

The Best Movies Now Playing in Theaters

New to Streaming: The Furious, City Wide Fever, Amores Perros, Camp & More

Interviews

Tsai Ming-liang on the Personal Inspiration of The Hole, Constant Evolution, and His Next Films

“How Do You Make a Contemporary Erotic Thriller”: Georgia Bernstein on Night Nurse and Catherine Breillat

David Wain on the Hard Work of Making Dumb Jokes

Podcasts

The B-Sides of Christopher Nolan with Blake Howard

Yasmina Tawil on Progamming Hou Hsiao-hsien, David Fincher, Tom Tykwer & More for BAM’s Electronica Series

The B-Sides of Julia Roberts with Joe Reid

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