The Film Stage - Page 377

Sundance Review: Breaking is a Modest Adaptation of a Veteran’s Real-Life Nightmare

Following on the heels of his impressive turn in Steve McQueen's Red, White and Blue, John Boyega does noble work in Breaking, directed by Abi Damaris Corbin. ...

Sundance Review: With Cha Cha Real Smooth, Cooper Raiff Delivers Another Confident Coming-of-Age Dramedy

It’s not exactly cool to be the nice guy these days, but Cooper Raiff is making a good case for them again. In each of the 24-year-old’s first two movies, his ...

Sundance Review: Resurrection is a Stomach-Churning Psychological Thriller That Turns Silly

Not all is well from the opening scenes of Andrew Semans’ Resurrection, based on his own Black List-charting script, which begins as a chilly, slick workplace ...

Sundance Review: Watcher Centers Maika Monroe Within a Chilling Psycho-Thriller

Ever since It Follows, the 2014 horror movie about a spectral grim reaper stalking a teenage girl, Maika Monroe has become her generation’s avatar of fear and ...

Sundance Review: Happening Demonstrates One Woman’s Struggle For Ownership Over Her Body

The year is 1963. The location is Angoulême, France. The woman is Anne (Anamaria Vartolomei), a bright student faced with the weight of the world when she disc...

Sundance Review: A House Made of Splinters is a Fraught Portrait of War-Torn Children

A handful of moments in Simon Lereng Wilmont’s documentary A House Made of Splinters made me feel I’d accepted an invitation best declined. One such instance i...

Sundance Review: Klondike is a White-Knuckle Look at Life During Wartime

Klondike is a funny title for this harrowing, at times absurdist Ukrainian war drama, set as conflict with Russia began to spike in 2014. Referring as it does ...

Sundance Review: Summering is a Ho-Hum, Directionless Coming-of-Age Drama

“What’s going on with our girls?” asks the emotionally drained mother of a tween girl in James Ponsoldt’s Summering. As any parent (or relative) of a pre-teen ...

Sundance Review: Hatching is a Horror Story for the Modern Family

Mother (Sophia Heikkilä) has the perfect family. The kind of family who would no doubt have made Adolf Hitler shed a single, wistful tear. It’s because of this...

Sundance Review: Call Jane is a Curiously Low-Stakes Abortion Drama

Call Jane is a competently made, well-acted historical drama that doesn't give its charged subject matter the stakes or urgency it needs. Loosely based on The ...

News

Léa Seydoux, Lee Kang-sheng, Margaret Qualley, Steven Yeun, Natalie Portman, Armie Hammer & More Set Next Roles

Exclusive: Paul Schrader’s Next Films Involve a Pederast Professor and a Wall Street-Set Erotic Thriller

2024 Gotham Awards Nominations Unveiled

Trailers

Michel Gondry Returns to Animation in First Trailer for Maya, Give Me a Title

Steven Soderbergh Tells a Ghost Story in New Trailer for Presence

Exclusive Trailer for Jōhatsu, a Lithuanian Thriller Exploring a Japanese Phenomenon

Reviews

Juror #2 Review: Courtroom Thriller Represents the Best from Clint Eastwood’s Late Era

The Graduates Review: A Melancholic Look at a Community Bonded by Tragedy

AFI Fest Review: Robert Zemeckis’ Here Plays Like the Anti-Boyhood

Features

Posterized November 2024: A Traveler’s Needs, Queer, Flow, Bird & More

New to Streaming: Catherine Breillat, The Substance, Last Things, The Apprentice, and More

NYC Weekend Watch: “Silent” Movies, Godzilla & More

Interviews

“Nobody Ever Gave Me Anything”: Alan Rudolph on Robert Altman, Bruce Willis, Kurt Vonnegut, and Resurrecting Breakfast of Champions

Soundtrack to a Coup d’Etat Director Johan Grimonprez on a Jazz-Fueled, Kaleidoscopic Vision of Displaced Blackness

The Making of the Indian Sci-Fi Box-Office Sensation Kalki 2898 AD

Podcasts

The B-Side – Vincent Price (with Gavin Mevius)

The B-Side – Tim Burton (with Maria Lewis)

The Film Stage Show Farewell Episode – Megalopolis

Read More