The Film Stage - Page 375

Sundance Review: Last Flight Home Approaches End of Life with Warmth, Grace, and Compassion

In her most personal and intimate film, master documentarian Ondi Timoner (We Live in Public, Cool It, Dig) turns an intended family tribute for a virtual memo...

Cinematographer José Luis Alcaine on Parallel Mothers and Capturing Pedro Almodóvar’s Emotional Vision

Two strangers' lives intertwine in Parallel Mothers, the latest film from Pedro Almodóvar. Janis (Penélope Cruz) and Ana (Milena Smit) are single mothers who g...

Sundance Review: Aubrey Plaza Elevates the Simplistic Thriller Emily the Criminal

Taking part in ten Sundance premieres over the last ten years, Aubrey Plaza’s niche in the world of independent cinema has been well carved. Reaching into dark...

Sundance Review: You Won’t Be Alone is Lyrical, if Imitative Folklore Horror

In 19th-century Macedonia a desperate mother makes a deal with a witch. Rather than allow her only child to be taken from her immediately, the woman promises h...

The Film Stage Show Ep. 460 – C’mon C’mon (with Greg Vellante)

Welcome, one and all, to the latest episode of The Film Stage Show! Today, Brian Roan, Robyn Bahr, and Bill Graham are joined by Greg Vellante to discuss Mike ...

Sundance Review: Am I OK? is a Late-Blooming Coming-Out Comedy

A romantic comedy that functions best as a fable of friendship and self-reflection, Am I OK? is the kind of lightweight, amiable movie that just barely earns t...

Sundance Review: Good Luck to You, Leo Grande Naturally Examines the Pleasures of Sex

Some films just seem easy to make. This is a compliment—nothing back-handed about it. Good Luck to You, Leo Grande is one such example. As written by Katy Bran...

Sundance Review: Speak No Evil is a Terrifying, Unforgettable, Deeply Unsettling Danish Thriller

Speak No Evil is terrifying, shocking, and deeply, deeply unsettling. There’s no getting around the upset factor. Audiences who catch this Sundance entry from ...

Sundance Review: Nanny Brings Horror to the Immigrant Story with Atmospheric, Disquieting Tension

With Nanny, Nikyatu Jusu presents a more haunting depiction of the American Dream. Her feature debut nods to Ousmane Sembène’s seminal Black Girl while distill...

Kim Min-hee Will Take a Quiet Life in Trailer for Hong Sang-soo’s The Novelist’s Film

It was mere weeks ago we placed a possible Hong Sang-soo film on our 2022 most-anticipated list. If nothing was announced, anything could be expected—a year wi...

News

James Gray to Direct Adam Driver, Jeremy Strong, and Anne Hathaway in Paper Tiger

Tarsem Singh, Jaume Collet-Serra, Kim Jee-woon, Paul W.S. Anderson & More Set Next Films

Metrograph Launches Print Publication with Inaugural Issue Featuring Ryusuke Hamaguchi, Clint Eastwood, Ari Aster & More

Trailers

Michel Gondry Returns to Animation in First Trailer for Maya, Give Me a Title

Steven Soderbergh Tells a Ghost Story in New Trailer for Presence

Exclusive Trailer for Jōhatsu, a Lithuanian Thriller Exploring a Japanese Phenomenon

Reviews

Juror #2 Review: Courtroom Thriller Represents the Best from Clint Eastwood’s Late Era

The Graduates Review: A Melancholic Look at a Community Bonded by Tragedy

AFI Fest Review: Robert Zemeckis’ Here Plays Like the Anti-Boyhood

Features

Tokyo International Film Festival Artistic Director Ichiyama Shôzô Offers Insight Into a Growing Organization

Posterized November 2024: A Traveler’s Needs, Queer, Flow, Bird & More

New to Streaming: Catherine Breillat, The Substance, Last Things, The Apprentice, and More

Interviews

“Nobody Ever Gave Me Anything”: Alan Rudolph on Robert Altman, Bruce Willis, Kurt Vonnegut, and Resurrecting Breakfast of Champions

Soundtrack to a Coup d’Etat Director Johan Grimonprez on a Jazz-Fueled, Kaleidoscopic Vision of Displaced Blackness

The Making of the Indian Sci-Fi Box-Office Sensation Kalki 2898 AD

Podcasts

The B-Side – Vincent Price (with Gavin Mevius)

The B-Side – Tim Burton (with Maria Lewis)

The Film Stage Show Farewell Episode – Megalopolis

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