The Film Stage - Page 367

Recommended New Books on Filmmaking: Revisiting Lost Highway, Watching John Ford, and a Guide to Queer Cinema

Our latest roundup of new books related to the world of cinema is full of indelible imagery––the pale face of Lost Highway’s Mystery Man, John Ford’s craggy vi...

Cannes Review: Bertrand Mandico’s Conann Turns Barbarism into Pure Love

Following The Wild Boys and After Blue, Conann marks the third feature-length project from prolific shorts filmmaker Bertrand Mandico. Many are still not convi...

Martin Scorsese Is “About to Start Making” a New Film Concerning Jesus

Killers of the Flower Moon's corpse isn't even cold––can I continue torturing this metaphor? it's a holiday and I shouldn't even be working––but Martin Scorses...

Watch: Sofia Coppola Directs Keanu Reeves in 100th Anniversary Celebration of Suntory Whisky

While Sofia Coppola is in the editing room ahead of a fall release of her Priscilla Presley drama, she's found time to complete her first book and, as recently...

Cannes Review: Perfect Days is Wim Wenders’ Strongest Fiction Feature in 20 Years

Wim Wenders is back, and he’s brought Lou Reed (still dead) with him. It’s not that Wenders hasn’t been making films. He has. It’s just that the only good ones...

Anatomy of a Fall Leads 2023 Cannes Film Festival Winners

The 76th edition of the Cannes Film Festival came to an end today at the awards ceremony, featuring prizes handed out by jury president Ruben Östlund and membe...

Cannes Review: About Dry Grasses is a Luminous Summation of Nuri Bilge Ceylan’s Soul-Stirring Cinema

The pastures in Nuri Bilge Ceylan’s luminous new film are only dry at the very end. Save for that brief summery coda, the landscape in About Dry Grasses remain...

Cannes Review: Karim Aïnouz’s Firebrand Sets Alicia Vikander and Jude Law in Engrossing Tudor Thriller

Few would have imagined that Brazilian-Algerian director Karim Aïnouz––whose The Invisible Life of Eurídice Gusmão won the top prize in Un Certain Regard four ...

Cannes Review: The Settlers is a Haunting Chilean Western Reckoning with the Bloody Sins of Colonialism

The barbaric, bloody sins of the past come to define what entities govern certain land today, carried out by conquistadors and colonizers who hide behind right...

What Would an Alfred Hitchcock Script Directed by Martin Scorsese Look Like?

With Martin Scorsese on the mind following the triumphant Cannes premiere of Killers of the Flower Moon, I've been looking to catch up on the last few unseen f...

News

The Criterion Collection’s October Lineup Features The Silence of the Lambs and Guillermo del Toro’s Frankenstein on 4K, Jerzy Skolimowski, and Samuel Fuller

Locarno Film Festival Unveils 2026 Lineup

Eleanor Coppola’s Documentary on the Making of Sofia Coppola’s Marie Antoinette Is Coming Soon

Trailers

Filipiñana Trailer: Rafael Manuel’s Jia Zhangke-Backed Sundance Winner Opens This August

Domhnall Gleeson Encounters a Strange Land In First Trailer for The Incomer

Tony Gilroy Returns in First Trailer for Behemoth!

Reviews

The Odyssey Review: Christopher Nolan’s Journey of Perpetual, Enervating Awe

The Kidnapping of Arabella Review: Offbeat Italian Road Trip Comedy

Night Nurse Review: A Perverse, Seductive Thriller

Features

NYC Weekend Watch: The Hole, Electronica, Gakuryu Ishii, Nicholas Ray & More

The Best Movies Now Playing in Theaters

New to Streaming: The Furious, City Wide Fever, Amores Perros, Camp & More

Interviews

Tsai Ming-liang on the Personal Inspiration of The Hole, Constant Evolution, and His Next Films

“How Do You Make a Contemporary Erotic Thriller”: Georgia Bernstein on Night Nurse and Catherine Breillat

David Wain on the Hard Work of Making Dumb Jokes

Podcasts

Yasmina Tawil on Progamming Hou Hsiao-hsien, David Fincher, Tom Tykwer & More for BAM’s Electronica Series

The B-Sides of Julia Roberts with Joe Reid

The B-Sides of Steven Spielberg with Bilge Ebiri

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