The Film Stage - Page 322

First Teaser for Christopher Nolan’s Oppenheimer Finds Cillian Murphy Changing the World

If you missed the teaser attached to Jordan Peele's Nope in theaters, Universal has now released our first look at Christopher Nolan's epic drama Oppenheimer, ...

U.S. Trailer for Aly Muritiba’s Private Desert Captures Queer Romance in Brazil

A favorite at Venice Film Festival last year and Brazil’s official submission to the 94th Academy Awards, Aly Muritiba's queer romance Private Desert is now re...

François Ozon Reimagines Rainer Werner Fassbinder in U.S. Trailer for Peter Von Kant

Making movies at such a clip that it can be hard to keep track of which ones actually get a U.S. release, French filmmaker François Ozon is back this year with...

New Trailer for Moonage Daydream Takes a Hypnotic Odyssey Through the Life of David Bowie

One of the best films we saw at Cannes earlier this year, Brett Morgen’s David Bowie spectacle Moonage Daydream takes a hypnotic journey through the ...

First Trailer for Guillermo del Toro’s Pinocchio Delivers Stop-Motion Wonders

This fall is the season of Pinocchio. This September Robert Zemeckis's version of the story will arrive on Disney+, then a few months later Guillermo del Toro'...

Not Okay Review: Zoey Deutch is a Parasitic Influencer in Dark Satire

I'm not saying you couldn't want to pivot careers from photo-compositor to writer, but to make it seem like a) the former is just a matter of loosely using the...

Fantasia Review: Demigod: The Legend Begins is an Impressive Budaixi Fantasy Spectacle

The Huang family and Pili International Multimedia are back on the big screen, two decades since their feature debut Legend of the Sacred Stone, and if the end...

Martin Scorsese’s Killers of the Flower Moon Delayed to 2023, Eying Cannes Debut

It's what it is. While we desperately hoped to see a new Martin Scorsese feature by the end of this year, Apple is giving him and Thelma Schoonmaker a bit more...

Carl Franklin on Subverting Noir Conventions with Devil in a Blue Dress, Eliminating Fear, and the Real American Dream

If Carl Franklin may not have many films in his oeuvre, what’s present has certainly made its mark. His 1992 neo-noir One False Move was originally set by the ...

MUBI Unveils August 2022 Lineup

MUBI has announced its lineup of streaming offerings for next month and amongst the highlights is a tribute to Tilda Swinton, featuring I Am Love and a trio of...

News

John Hillcoat Reveals Cormac McCarthy’s “Faustian” Vision for Blood Meridian Film

MUBI’s January 2025 Lineup Includes Close Your Eyes, Pepe, Luca Guadagnino, Charli XCX & More

The Criterion Channel’s January 2025 Lineup Features David Bowie, Nicole Kidman, Sean Baker & More

Trailers

The Game Is Out of Joint In Trailer for Grand Theft Hamlet

Gazer Trailer: Paranoia Thriller and Cannes Selection Arrives This February

Exclusive: ’90s Sundance Gem Girls Town Gets 4K Restoration, Trailer, and Theatrical Release

Reviews

Santosh Review: U.K.’s Oscar Entry is a Taut Exploration of Gender Politics and Police Corruption

Laceno D’Oro Review: Pastoral Hybrid Doc Savanna and the Mountain Confronts An Urgent Struggle with Humor and Charm

Laceno D’Oro Review: Bestiari, Erbari, Lapidari Entrancingly Explores the Histories of Science, Cinema, and War

Features

C.J. Prince’s Top 10 Films of 2024

The Film Stage’s Most-Read Posts of 2024

Zhuo-Ning Su’s Top 10 Films of 2024

Interviews

The Brutalist Cinematographer Lol Crawley on VistaVision, the 70mm Experience, and Brady Corbet’s Flexibility

Santosh Director Sandhya Suri on Quiet Characters, Economic Filmmaking, and Emotional Chess

Guy Pearce on the Egoism of The Brutalist and Why Brady Corbet’s Epic Earns Its Runtime

Podcasts

The B-Side – Al Pacino (with Mitchell Beaupre)

The B-Side – Jack Lemmon (with Mitchell Beaupre)

The Film Stage Show Bonus Ep. – Box Office Bonanza (July 21, 2000)

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