NYC Weekend Watch is our weekly round-up of repertory offerings.
Film at Lincoln Center
As the 4K restoration of Keane opens (read our interview with Lod...
Often a re-release is granted to some long-cherished classic or cult sensation. In the case of Lodge Kerrigan’s Keane, which played the festival circuit throug...
The few people bobbing up in Ana Vaz’s It Is Night in America are anonymous ciphers, their faces scarcely (if at all) visible, protruding limbs or silhouettes ...
Following the Main Slate and Spotlight announcements, the 60th New York Film Festival has unveiled its Currents section. The slate of boundary-pushing work fea...
A radically defiant artist, Iranian director Jafar Panahi has been making some of the most vital––both artistically and politically––works of the last three de...
Welcome, one and all, to the latest episode of The Film Stage Show! Today, Brian Roan, Bill Graham, and Robyn Bahr are joined by Isaac Feldberg to discuss Andr...
One of the most viscerally affecting films coming out of Sundance Film Festival this year was Christian Tafdrup's Speak No Evil. Following a family who accepts...
Where has the time gone? Summer's on the fritz and Criterion have Thanksgiving in their sights: November's lineup is here, boasting a 4K upgrade of In the Mood...
Far and away our consensus favorite of this year's Cannes Film Festival was Albert Serra's competition entry Pacifiction. Set on the French Polynesian island o...
A favorite of Leah Purcell's as a child, Henry Lawson's short story "The Drover's Wife" was always at the front of her mind when growing into adulthood as an a...