The Film Stage - Page 29

Exclusive U.S. Trailer for The Paragon Harnesses Cosmic Power

One of the year's best examples of resourceful filmmaking, Michael Duignan's fantasy comedy The Paragon was shot over just 13 days in Auckland, New Zealand for...

New to Streaming: Open Range, La Chimera, Shinji Sōmai, Banel & Adama, and More

Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past r...

NYC Weekend Watch: The Ghost Writer and Absolute Power on 35mm

NYC Weekend Watch is our weekly round-up of repertory offerings. Roxy CinemaFidelio, our four-film program with Chapo Trap House’s Movie Mindset, close...

The Criterion Collection Unveils Massive 40-Film Box Set for 40th Anniversary

With nearly 1,700 titles in their catalog, it's hard to discern where exactly to start when exploring the Criterion Collection. To celebrate their 40th anniver...

Jason Reitman Counts Down to Doomsday In Trailer for Saturday Night

Next year marks two anniversaries: the (more or less) 130th of cinema and 50th of Saturday Night Live. Perhaps, thus, some fitting convergence that no idea in ...

Pia Marais Takes to the Jungle In Trailer for Locarno and NYFF Selection Transamazonia

A major note about this year's New York Film Festival line-up: 19 of 34 directors have never been featured in the Main Slate. Debuting at Locarno before stoppi...

Enter the Psychic Realm in First Trailer for Look Into My Eyes

While they've only backed a few documentaries, notably De Palma, Boys State, Occupied City, and the re-release of Stop Making Sense, A24's latest foray into th...

Luca Guadagnino’s Queer Sets U.S. Premiere at 62nd New York Film Festival

Following up on the Main Slate announcement, the New York Film Festival has now unveiled its Spotlight Gala selection for its 62nd edition. Luca Guadagnino’s Q...

You’re Invited to an Online Screenwriting Workshop, Taught by Matthew Gasda and Nick Newman, Beginning Next Week

Rather than sit through interminable, months-long screenwriting courses charging fees so substantial they require a literal loan, there's unique opportunity to...

India Donaldson on Good One, Girlhood, and the Rhythms of Hou Hsiao-Hsien and Kelly Reichardt

The best directorial debut of the year, India Donaldson's Good One, is a carefully-observed portrait of both womanhood and fatherhood, capturing the 17-year-ol...

News

James Gray to Direct Adam Driver, Jeremy Strong, and Anne Hathaway in Paper Tiger

Tarsem Singh, Jaume Collet-Serra, Kim Jee-woon, Paul W.S. Anderson & More Set Next Films

Metrograph Launches Print Publication with Inaugural Issue Featuring Ryusuke Hamaguchi, Clint Eastwood, Ari Aster & More

Trailers

The End Trailer: Tilda Swinton, Michael Shannon, and George MacKay Ring in the Apocalypse

Michel Gondry Returns to Animation in First Trailer for Maya, Give Me a Title

Steven Soderbergh Tells a Ghost Story in New Trailer for Presence

Reviews

AFI Review: Vermiglio Paints a Lyrical Portrait of Desires Constrained by Catholicism

Paddington in Peru Review: Threequel Fails to Climb to Franchise Heights

Juror #2 Review: Courtroom Thriller Represents the Best from Clint Eastwood’s Late Era

Features

Tokyo International Film Festival Artistic Director Ichiyama Shôzô Offers Insight Into a Growing Organization

Posterized November 2024: A Traveler’s Needs, Queer, Flow, Bird & More

New to Streaming: Catherine Breillat, The Substance, Last Things, The Apprentice, and More

Interviews

“Less Money, More Liberty”: Paulo Branco on a Cinematic Life with David Cronenberg, Manoel De Oliveira, and Raúl Ruiz

“Nobody Ever Gave Me Anything”: Alan Rudolph on Robert Altman, Bruce Willis, Kurt Vonnegut, and Resurrecting Breakfast of Champions

Soundtrack to a Coup d’Etat Director Johan Grimonprez on a Jazz-Fueled, Kaleidoscopic Vision of Displaced Blackness

Podcasts

The B-Side – Vincent Price (with Gavin Mevius)

The B-Side – Tim Burton (with Maria Lewis)

The Film Stage Show Farewell Episode – Megalopolis

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