The Film Stage - Page 262

First Trailer for Mark Jenkin’s Enys Men Conjures Cornish Folk Horror

After making one of the most striking debuts of the last few years with his black-and-white Bait, shot on a hand-cranked Bolex camera and 16mm, Mark Jenkin ret...

Luca Guadagnino on Bones and All, Nurturing Imagination, and the Need for Love

On tour across high-profile fall festivals since its premiere at Venice in early September, Luca Guadagnino’s teen cannibal romance Bones and All lands in thea...

Willem Dafoe is Artfully Trapped in First Trailer for Inside

In terms of the sheer range of directors he has worked with, there may be no more impressive a career than that of Willem Dafoe. In between his recent collabor...

Cinematographer Erik Messerschmidt on Shooting David Fincher’s The Killer and Michael Mann’s Ferrari

Has any cinematographer had so fast an ascendancy as Erik Messerschmidt? While no newcomer—his IMDb dates back to 2001, his first cinematography credit fr...

Quentin Tarantino Plans to Direct Eight-Part Series Next Year

Considering the purely entertaining reads that are Quentin Tarantino’s first pair of books—his expansion of Once Upon a Time… in Hollywood and the recently rel...

The Film Stage’s 2022 Holiday Gift Guide

The holidays are upon us, so whether you looking for film-related gifts or simply want to pick up some of the finest the year had to offer in the category for ...

Poker Face Review: Russell Crowe Drama Comes Up Empty

One of Russell Crowe's greatest strengths as a movie star is his ability to make it look easy. When he's at his best, it often looks like he's barely trying. W...

Andrew Bujalski on the Resourcefulness of There There, Chantal Akerman, and the Evolution of Cinema

With There There, Andrew Bujalski finds new freedom under the constraints of working during the peak of the COVID pandemic. Shot on phones, it consists of a se...

The Criterion Collection’s February 2023 Lineup: Three Colors and Dazed and Confused on 4K & More

The Criterion Collection has unveiled its February disc offerings and, fittingly, one can celebrate Valentine's Day with one of the best trilogies on love and ...

Magic Mike’s Last Dance Trailer: Channing Tatum and Salma Hayek Find Pleasure

The return of Ethan Hunt isn't the only franchise worth getting excited for in 2023. Seven years after leading one of the best sequels of all-time, Mike Lane—a...

News

Léa Seydoux, Lee Kang-sheng, Margaret Qualley, Steven Yeun, Natalie Portman, Armie Hammer & More Set Next Roles

Exclusive: Paul Schrader’s Next Films Involve a Pederast Professor and a Wall Street-Set Erotic Thriller

2024 Gotham Awards Nominations Unveiled

Trailers

First Trailer for Luca Guadagnino’s Queer Follows Daniel Craig Searching for a High

Ride a Dreamlike Musical Carousel in Exclusive Trailer for Signe Birkova’s Lotus, Partly Shot on a 1920s Camera

Raoul Peck Investigates a Photographer Pioneer in First Trailer for Ernest Cole: Lost and Found

Reviews

The Graduates Review: A Melancholic Look at a Community Bonded by Tragedy

AFI Fest Review: Robert Zemeckis’ Here Plays Like the Anti-Boyhood

AFI Fest Review: My Favourite Cake Finds an Autumnal Romance Blooming Under Iranian Authoritarianism

Features

Tony Leung, Johnnie To, and Chiara Mastroianni Talk Cinema’s Future as the 2024 Tokyo International Film Festival Begins

New to Streaming: Trap, One False Move, Rap World, Daaaaaalí!, The Remarkable Life of Ibelin & More

NYC Weekend Watch: Shadows of Forgotten Ancestors, Candy Mountain, Chantal Akerman, Azazel Jacobs & More

Interviews

“Nobody Ever Gave Me Anything”: Alan Rudolph on Robert Altman, Bruce Willis, Kurt Vonnegut, and Resurrecting Breakfast of Champions

Soundtrack to a Coup d’Etat Director Johan Grimonprez on a Jazz-Fueled, Kaleidoscopic Vision of Displaced Blackness

The Making of the Indian Sci-Fi Box-Office Sensation Kalki 2898 AD

Podcasts

The B-Side – Vincent Price (with Gavin Mevius)

The B-Side – Tim Burton (with Maria Lewis)

The Film Stage Show Farewell Episode – Megalopolis

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