The Film Stage - Page 247

NYC Weekend Watch: Dangerous Game, Shadow of a Doubt & More

NYC Weekend Watch is our weekly round-up of repertory offerings. Roxy CinemaFriday offers Abel Ferrara's Dangerous Game on 35mm and 'R Xmas, the d...

New to Streaming: White Noise, Leonor Will Never Die, Ravenous & More

Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past r...

Christopher Schobert’s Top 10 Films of 2022

Following The Film Stage's collective top 50 films of 2022, as part of our year-end coverage, our contributors are sharing their personal top 10 lists. It o...

First Trailer for Zhang Yimou’s Historical Epic Full River Red

Working at such an insane clip he can direct a movie that is coming out in less than a month and it was previously not on our radar, the latest work from Zhang...

Corsage Director Marie Kreutzer on Small Acts of Rebellion and How Fashion Has Historically Imprisoned Women

More than a century before the neverending stream of social media and its unrealistic expectations of beauty affected the ways in which people, especially wome...

NYC Weekend Watch: Amadeus, Lars von Trier, The Rules of the Game & More

Roxy CinemaFriday offers Amadeus on 35mm, Hardcore, and Christmas Evil. Film at Lincoln CenterLars von Trier’s The Kingdom II, restored in a new director’s ...

New to Streaming: Aftersun, Millennium Mambo, Glass Onion, Bi Gan & More

Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past r...

Millennium Mambo Restored: Revisiting Hou Hsiao-hsien’s Hypnotic Portrait of Precarity

Hou Hsiao-hsien’s Millennium Mambo premiered at the Cannes Film Festival in 2001 to, sadly, so little enthusiasm outside the highbrow crowd that it didn't fina...

The Pale Blue Eye Review: Scott Cooper Crafts a Chilly, Tedious Gothic Murder Mystery

With a filmography of muscular acting showcases, patient tempos, and emphasis on brooding atmosphere, it’s evident Scott Cooper has been influenced by the ende...

The Film Stage’s Top 50 Films of 2022

For our most comprehensive year-end feature we’re providing a cumulative look at The Film Stage’s favorite films of 2022. We’ve asked contributors to comp...

News

Exclusive: Paul Schrader’s Next Films Involve a Pederast Professor and a Wall Street-Set Erotic Thriller

2024 Gotham Awards Nominations Unveiled

Yokohama BJ Blues Makes U.S. Theatrical Premiere on November 11 from Amnesiascope

Trailers

First Trailer for Luca Guadagnino’s Queer Follows Daniel Craig Searching for a High

Ride a Dreamlike Musical Carousel in Exclusive Trailer for Signe Birkova’s Lotus, Partly Shot on a 1920s Camera

Raoul Peck Investigates a Photographer Pioneer in First Trailer for Ernest Cole: Lost and Found

Reviews

AFI Fest Review: Robert Zemeckis’ Here Plays Like the Anti-Boyhood

AFI Fest Review: My Favourite Cake Finds an Autumnal Romance Blooming Under Iranian Authoritarianism

NYFF Review: On Becoming a Guinea Fowl is a Powerfully Enraging, Surreally Comedic Look at Zambian Tradition

Features

Tony Leung, Johnnie To, and Chiara Mastroianni Talk Cinema’s Future as the 2024 Tokyo International Film Festival Begins

New to Streaming: Trap, One False Move, Rap World, Daaaaaalí!, The Remarkable Life of Ibelin & More

NYC Weekend Watch: Shadows of Forgotten Ancestors, Candy Mountain, Chantal Akerman, Azazel Jacobs & More

Interviews

Soundtrack to a Coup d’Etat Director Johan Grimonprez on a Jazz-Fueled, Kaleidoscopic Vision of Displaced Blackness

The Making of the Indian Sci-Fi Box-Office Sensation Kalki 2898 AD

“100 Clichés Move Us”: Rumours Directors Guy Maddin, Evan Johnson & Galen Johnson on Finding Humor in a World in Crisis

Podcasts

The B-Side – Vincent Price (with Gavin Mevius)

The B-Side – Tim Burton (with Maria Lewis)

The Film Stage Show Farewell Episode – Megalopolis

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