In The Sweet East, a high school senior take a journey through fame, exploitation, and Delaware. Working from a script co-written with the influential critic N...
Wolves are not subtle creatures. It’s a rhetorical question: “Can you find the wolves in this picture?” Who couldn’t spot wolves among humans? They’re much sma...
In The Zone of Interest a commander, his wife, and their four children live a life of bucolic bliss. They picnic by the lake. They doddle by the pool. When he ...
If the death of cinema is imminent, at least Kleber Mendonça Filho can play it out with some vintage Tropicália. It’s becoming a nice leitmotif of the Brazilia...
If you went to the movies in 1989 you might have heard Indiana Jones growl the line "it belongs in a museum." You'll hear him say it again in The Dial of Desti...
Update: In Cannes to present––might this be a clue?!––Rolling Thunder, Tarantino told Deadline The Movie Critic "is based on a guy who really lived, but was ne...
Fast X is an incredibly dumb time at the movies. Not just in an F9 “they took a car to space” kind of dumb (there’s also plenty of that, which is fine), but in...
Back in 2017, Warwick Thornton landed in Venice with a western that offered some corrective to the white-savior narratives of countless others in the genre. Sw...
Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past r...
NYC Weekend Watch is our weekly round-up of repertory offerings.
Roxy CinemaA New Leaf and Ishtar play, the former on 35mm, while a print of The Fifth Eleme...