The Film Stage - Page 18

Masterful Japanese Noir Yokohama BJ Blues Receives New Trailer Ahead of December Rerelease

Rarely am I devoting column space (whatever that means in virtual realms) to individual home-video releases––at least if they're not likely to receive a comple...

The Criterion Collection’s December Lineup Includes No Country for Old Men on 4K, Sammo Hung & More

In the blink of an eye, Criterion's 2024 is done. Though there's still a cornucopia of discs awaiting arrival, we have a stem-stern view of this year's line-up...

NYC Weekend Watch: A Different Man Influences, Johnnie To, Ingrid Caven & More

NYC Weekend Watch is our weekly round-up of repertory offerings. BAMA Different Man director Aaron Schimberg has assembled an all-35mm retrospective of film...

New to Streaming: Red Rocket, Robot Dreams, Kneecap, Riddle of Fire & More

Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past r...

Venice Review: Jerry Lewis’ The Day the Clown Cried Emerges in From Darkness to Light

“What if woody Allen had brain injury,” remarks the comic Adam Friedland in his rather direct Letterboxd review of Jerry Lewis’ The Ladies Man. Continuing a t...

Venice Review: Kevin Costner Is Going Strong With Horizon: An American Saga – Chapter 2

How blessed are we to have a whole six hours of Kevin Costner’s mythopoetic Horizon already make their way to (some) audiences, especially when this project ha...

TIFF Review: Joseph Kahn’s Ick is a Riotous, Satirical Take on the Creature Feature

The world is ending and nobody cares in Ick, Joseph Kahn’s latest genre offering after 2017’s Bodied and 2011’s Detention. Despite only making four features in...

TIFF Review: David Gordon Green’s Nutcrackers is a Frustratingly Contrived Affair

David Gordon Green’s career is one of the most unpredictable in Hollywood. Since his masterful and celebrated debut George Washington, he's not been shy about ...

TIFF Review: Jason Reitman’s Saturday Night Has One Yearning for Aaron Sorkin’s Studio 60

“Can satire save the Republic?”— May 2017 cover story of The Atlantic featuring Alec Baldwin as Donald Trump “Mad TV would have done a Barron Trump School ...

TIFF Review: Tim Robinson Masters Cringe In the Hysterically Funny Friendship

The level of enjoyment audience members will have with Andrew DeYoung’s Friendship is tied directly to their tolerance for the humor of Tim Robinson. The star ...

News

Tilda Swinton Says The Room Next Door May Be Her Last Film as New Trailer Arrives

Martin Scorsese Praises I Saw the TV Glow, Reveals Plans for Next Films

First Look at Lynne Ramsay’s Die, My Love Featuring Jennifer Lawrence and Robert Pattinson

Trailers

Pamela Anderson is The Last Showgirl in First Trailer for Gia Coppola’s Drama

Exclusive U.S. Trailer for Endless Summer Syndrome Unveils Provocative French Drama

Beatles ’64 Trailer: Martin Scorsese Captures the Band’s First Visit to America

Reviews

Allen Sunshine Review: A Tranquil Debut Feature with a World of Feeling

Gladiator II Review: Ridley Scott’s Sequel Bests Predecessor By Going Dumb

Riga Review: Dreamy Stereoscopic 3D Folk Tale Twittering Soul is One of a Kind

Features

New to Streaming: Megalopolis, Rumours, Look Into My Eyes, An Almost Christmas Story, and More

NYC Weekend Watch: The Limits of Control, Ealing Studios & More

The Best Movies Now Playing in Theaters

Interviews

Payal Kapadia on All We Imagine as Light, Impermanence, Magical Realism, and Trilogy Plans

Barry Keoghan on Young Fatherhood, Loving La La Land, and the Movement of Andrea Arnold’s Bird

NYC Weekend Watch: Ken Kelsch, Il Grido, Flesh for Frankenstein 3D & More

Podcasts

The B-Side – Gwyneth Paltrow (with Cory Everett)

The B-Side – Vincent Price (with Gavin Mevius)

The B-Side – Tim Burton (with Maria Lewis)

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