“Klara remembered who she was. She pulled away from the window and she was a sculptor, although she didn't always believe it, an artist––she believed them some...
Hlynur Pálmason’s fourth feature marks a soft, Malickian left turn for the man behind the icy-bleak dramas Winter Brothers, A White, White Day, and Godland...
With Mount Vesuvius looming over southwestern Italy’s idyllic region of Naples, both in history and imagery, one might reasonably think Gianfranco Rosi’s B...
The Currents begins with a curious, impulsive act. Lina (Isabel Aimé González Sola) is being recognized for her work in Switzerland when, suddenly, she complet...
NYC Weekend Watch is our weekly round-up of repertory offerings.
Brooklyn Center for Theatre ResearchMy Dylan-scored cut of Tod Browning's The Unknown has o...
From just his scripts alone, Charlie Kaufman is certainly one of the most distinctive voices in American cinema, be it Being John Malkovich or Adaptation. Ever...
Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past r...
A few years ago at DocLisboa we praised I Saw, in which exiled Russian filmmaker Vadim Kostrov revisits an innocent day. The director is returning to the festi...
Note: This review was originally published as part of our 2025 Venice coverage. The Mastermind opens in theaters on October 17.
For the second time in t...
Note: This review was originally published as part of our 2025 Venice coverage. Frankenstein opens in theaters on October 17 and arrives on Netflix on November...