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[Review] The Man From U.N.C.L.E.

The freewheeling, frothy tone of Guy Ritchie's The Man from U.N.C.L.E. fits in perfectly with what has, so far, been a year full of light-as-air spy films. Jame...

[Review] Fort Tilden

In the acerbic indie comedy Fort Tilden, Brooklyn denizens Harper (Bridey Elliott) and Allie (Clare McNulty) prepare for a day at the Rockaways, where they plan...

[Review] Return to Sender

Return to Sender is an equally repulsive and dreadful movie that deserves to be more than spoiled -- it should be murdered, buried, and never discussed again. T...

[Review] Tom at the Farm

He's explored themes of love, matriarchal bonds, and just about everything in-between, and Xavier Dolan's fourth feature, Tom at the Farm, certainly doesn't aba...

[Review] Meru

The endurance of the human body and the unceasing determination to reach untouched heights are age-old elements of both Hollywood fiction and storytelling in ge...

[Review] We Come as Friends

As a child, flipping through the pages of a National Geographic Magazine often allowed me the privileged position of imagining what it might be like to live in ...

[Review] Prince

By way of Vice Magazine cred, and “Special Mention” kudos from a jury of teens at the Berlin Film Festival, comes the Dutch film Prince by newcomer Sam de Jong....

[Review] Two Step

As Hollywood continues its march towards a movie release schedule chockfull of super heroes and explosions and other large-scale, special effects-driven extrava...