My Big Night tells you what it is right up front: big with a capital "B," a maximalist extravaganza satirizing the day-to-day life on a show business set that h...
Advances in digital technology have now given filmmakers the chance to do things that would have been impossible just a decade ago. With this bold new power com...
If, within art cinema, there comes the instant gravitation to less the film than the name -- the all-powerful auteur that supposedly doesn’t have to bow down to...
With a seemingly endless amount of streaming options -- not only the titles at our disposal, but services themselves -- we've taken it upon ourselves to hig...
Since any New York cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repertory...
The main character of Nitzan Gilady’s Wedding Doll is a common character archetype, but one that’s rarely given the opportunity to be a lead, and even more rar...
There's a bothersome element to films about fictional musicians: the quality of the original songs, and the suspension of disbelief required – scratch that, dem...
If one of the ‘90s Adam Sandler movies had a weird May-December romance with a ‘00s Apatow production, the ungainly, misshapen, sterile hybrid that is The Boss ...
There are endless canards about how grief dissolves all human rationality, and no small number of real-life examples of apparently inexplicable behavior to back...
