The Film Stage - Page 124

Exclusive Poster for Alain Guiraudie’s Misericordia Puts Blood on the Body Count

That it has been nine months since Alain Guiraudie's Misericordia premiered at Cannes should do nothing to diminish the excitement of its U.S. release finally ...

Berlinale Review: Yunan Lacks the Substance to Fully Sing

The fact that only two German films were selected to compete at the 75th Berlinale raised some eyebrows and sparked interest in the pair of sophomore features ...

New to Streaming: The Brutalist, The Room Next Door, The Last Showgirl, Companion & More

Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past r...

NYC Weekend Watch: Hideaki Anno, Claude Chabrol, Pale Flower & More

NYC Weekend Watch is our weekly round-up of repertory offerings. IFC CenterHideaki Anno's Love & Pop plays in a new restoration; Herzog's Nosferatu, Mul...

The Monkey Review: Osgood Perkins Returns with a Crafty, Comic Kill Spree

In one of many well-executed nods to Once Upon a Time in Hollywood, Cinerama-style red and blue credits play over a black screen to sizzling '60s surf rock, a ...

Grand Tour Trailer: Miguel Gomes’ Mesmerizing Odyssey Arrives This March

Miguel Gomes, the Portuguese filmmaker behind The Tsugua Diaries, Arabian Nights, and Tabu, made his long-awaited return at last year's Cannes Film Festival wi...

Berlinale Review: All I Had Was Nothingness Perfectly Complements Claude Lanzmann’s Shoah

When reading Claude Lanzmann’s 2009 memoir The Patagonian Hare, director Guillaume Ribot was struck by insights into making the monumental Shoah. The book ...

Pet Shop Days Trailer: Olmo Schnabel’s Martin Scorsese-Backed Directorial Debut is Coming to Theaters This March

Premiering back at the 2023 Venice Film Festival, Olmo Schnabel's directorial debut Pet Shop Days went on to play at Chicago International Festival, SXSW, and ...

Spike Lee Shares First Look at Highest 2 Lowest and Confirms Summer 2025 Release

Spike Lee's major year already kicked off in a big way at the Super Bowl with a tie-in to one of his most underappreciated films and now the filmmaker is finis...

Claire Denis Eyes Crime Drama The Soap Maker

Claire Denis, set to turn 79 this year, has not slowed in the least. As cameras roll on Cry of the Guards she's entered negotiations to direct The Soap Maker, ...

News

Exclusive New Stills From Carla Simón’s Romería as Janus Films Sets June Release

MoMI Unveils First Look 2026 Lineup

Exclusive Poster for 2026 Edition of Los Angeles Festival of Movies, Taking Place April 9-12

Trailers

Arnaud Desplechin Finds the Music in U.S. Trailer for Two Pianos

Backrooms Trailer: Renate Reinsve and Chiwetel Ejiofor Discover the Abyss in Kane Parsons’ Debut

Boots Riley Stages Fashion Heists in New Trailer for I Love Boosters

Reviews

Kontinental ’25 Review: Radu Jude Has Nothing Left To Prove

Chime Review: Kiyoshi Kurosawa’s Mid-Length Chiller Doesn’t Stay Long But Leaves Its Mark

John Lilly and the Earth Coincidence Control Office Review: An Illuminating Work of Cultural Archaeology

Features

New to Streaming: Nirvanna the Band the Show the Movie, Sirāt, Send Help, A Poet & More

The Best Movies Now Playing in Theaters

NYC Weekend Watch: Béla Tarr, Meiko Kaji, Kiyoshi Kurosawa & More

Interviews

The Blue Trail Director Gabriel Mascaro on Coming-of-Age Inversion, Playful Dystopias, and Conservative Awakenings

Sinking into the Abyss: Nadav Lapid on Yes, the Collapse of Morality, and Beauty in Dance

Sylvain Chomet on A Magnificent Life, Joker: Folie à Deux, and Returning to Triplets of Belleville

Podcasts

The B-Sides of Spike Lee

Gabe Klinger on Finishing Movies, Navigating Festivals, and Isabel

The Academy Award Categories That No Longer Exist

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